Rudolph Serkin

Eugene Ormandy & Philadelphia Orchestra - The Columbia Legacy [120CDs Box Set] (2021)

Eugene Ormandy & Philadelphia Orchestra - The Columbia Legacy [120CDs Box Set] (2021)
MP3 320 Kbps | Run Time: 108 hours 32 minutes 19 seconds | 14.3 GB
Genre: Classical | Label: Sony Masterworks

Granting a long-held wish of many record collectors, Sony Classical is issuing the complete monaural American Columbia discography of Eugene Ormandy and the Philadelphia Orchestra in a vast box set of 120 CDs, all in new remasterings. Almost all of this material will be appearing for the first time on CD on Sony Classical. Indeed, 152 of these recordings have never been released at all on CD before now.
Emanuel Ax, Eugene Ormandy - Chopin: Piano Concertos Nos. 1 & 2 (1991)

Emanuel Ax, Eugene Ormandy - Chopin: Piano Concertos Nos. 1 & 2 (1991)
EAC | FLAC (log,tracks+cue) -> 264 Mb (5% Rec.) | Scans included
Classical | Label: RCA Victor Silver Seal / BMG Music, VD60789 | 01:14:08

"This recording is remarkable for it's mixture of quiet, subtle virtuosity, musicianship and style. Both concertos are played as if they are works of art as opposed to technical showpieces. Mr. Ax is this generations Rudolph Serkin. Ormandy provides the idiomatic, thankless accompaniment with expert finesse."
Chung Trio, Philharmonia Orchestra, Patrick & Pascal Gallois - Beethoven: Triple Concerto; Romances (1998)

Ludwig van Beethoven: Triple Concerto; Romance in E minor; Violin Romances (1998)
Kyung-Wha Chung, violin; Myung-Wha Chung, cello; Patrick Gallois, flute; Pascal Gallois, bassoon
Philharmonia Orchestra; Myung-Whun Chung, conductor & piano

EAC | FLAC | Tracks (Cue&Log) ~ 241 Mb | Mp3 (CBR320) ~ 128 Mb | Scans ~ 53 Mb
Genre: Classical | Label: Deutsche Grammophon | # 453 488-2 GH | Time: 00:55:45

Beethoven’s Triple Concerto, completed about the same time as the Eroica Symphony, has suddenly become popular. One reason for its previous lack of popularity was the fact that three soloists cost three times as much as one normally expensive pianist, violinist or cellist. Another reason is that the work seeks to be a popular success, hence the Rondo alla Polacca with which it concludes. The piano part was intended for Beethoven’s patron and pupil, the Archduke Rudolph von Habsburg, and hence is less technically demanding than the composer’s usual pianistic writing, destined for himself. The standard CD (previously LP) of the work was a spectacular performance and recording made by EMI many years ago with David Oistrakh, Rostropovich and Richter with the Berlin Philharmonic under Karajan. It was opulently played with the BPO’s luscious sound, but has little to do with what Beethoven would have heard in 1804. Another choice was the version of Stern, Rose and Serkin (Sony), less lush and not so high-powered as Karajan’s.