Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend – it's an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era…
Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend – it's an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era. Prior to this LP, Fleetwood Mac were moderately successful, but here they turned into a full-fledged phenomenon, with Rumours becoming the biggest-selling pop album to date…
Fleetwood Mac was at the top of its game in August 1977 when the band returned to its adopted home in Southern California to play three shows at The Forum in Los Angeles. Rumours had only been out a few weeks when the band left in February to tour the world, returning six months later to play three shows at The Forum for nearly 50,000 fans.
Fleetwood Mac, one of rock s most enduring, beloved and successful bands, circulate another round of Rumours with expanded and deluxe versions of the album in celebration of its 35th anniversary. Rumours made the band one of the most iconic bands of the 1970s and garnered wide critical praise, earned the Grammy® for Album of the Year, and has now sold more than 40 million copies worldwide since its 1977 debut…
Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend – it's an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era…
There's a certain relief that this 2009 Rhino reissue of 2002's double-disc set The Very Best of Fleetwood Mac doesn't even attempt to dabble in the early blues work of the Peter Green band, and treats the addition of Lindsey Buckingham and Stevie Nicks as ground zero. The two eras of the band don't sit well together, and it's best to isolate them, since those who want the hits don't need to hear the blues. Here, it's the prime of the platinum years, with almost all of the big songs in their original hit versions (the one real exception is a live version of "Big Love" from 1997, but most listeners aren't going to be too upset with the substitution).
While most bands undergo a number of changes over the course of their careers, few groups experienced such radical stylistic changes as Fleetwood Mac. Initially conceived as a hard-edged British blues combo in the late '60s, the band gradually evolved into a polished pop/rock act over the course of a decade…
Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend – it's an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era. Prior to this LP, Fleetwood Mac were moderately successful, but here they turned into a full-fledged phenomenon, with Rumours becoming the biggest-selling pop album to date. While its chart success was historic, much of the legend surrounding the record is born from the group's internal turmoil. Unlike most bands, Fleetwood Mac in the mid-'70s were professionally and romantically intertwined, with no less than two couples in the band, but as their professional career took off, the personal side unraveled.
More than any other Fleetwood Mac album, Tusk is born of a particular time and place – it could only have been created in the aftermath of Rumours, which shattered sales records, and in turn gave the group a blank check for their next album. But if they were falling apart during the making of Rumours, they were officially broken and shattered during the making of Tusk, and that disconnect between bandmembers resulted in a sprawling, incoherent, and utterly brilliant 20-track double album…