Sã©minaire Bourbaki Vol. 1972 73 Exposã©s 418 435

After a strong showing in the early '70s, Skin Alley drastically changed their lineup (and shifted their musical gears a bit) for their final two albums, 1972's Two Quid Deal and 1973's Skintight. There was still a strong prog rock base to their songwriting, but their folk and rock tendencies came to the fore on these two records more than ever before. Their deft instrumental technique screamed "prog," but never overshadowed the songs with unnecessary noodling or overt showings of musical dexterity. And that's the thing - there are "songs" here. With most of the tunes clocking in under the four-minute mark, there's no room for overindulgence. The arrangements are concise and even the instrumental numbers show a deliberately sophisticated restraint…

After a strong showing in the early '70s, Skin Alley drastically changed their lineup (and shifted their musical gears a bit) for their final two albums, 1972's Two Quid Deal and 1973's Skintight. There was still a strong prog rock base to their songwriting, but their folk and rock tendencies came to the fore on these two records more than ever before. Their deft instrumental technique screamed "prog," but never overshadowed the songs with unnecessary noodling or overt showings of musical dexterity. And that's the thing - there are "songs" here. With most of the tunes clocking in under the four-minute mark, there's no room for overindulgence. The arrangements are concise and even the instrumental numbers show a deliberately sophisticated restraint…

Surely one of the most unsung bands in the history of American hard rock music, BANG released three full-length albums for Capitol Records in the early 70’s, that criminally sank without a trace. Capitol artist development at the time just did not know what to do with the band that was often called America’s answer to Black Sabbath. BANG‛s first significant break came when the Philadelphia band gate-crashed a Rod Stewart show in Orlando in 1971 convincing promoters to put them on as the warm up act. With the interest of the major concert promoters of the day, East Coast Concerts and Concerts West, the band soon became major contenders in the hard rock arena.

Jim Croce - 24 karat Gold In A Bottle (1972-73) {DCC Compact Classics ‎GZS-1060 rel 1994}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 392 Mb | MP3 @320 -> 156 Mb
Full Artwork @ 300 dpi (png) -> 59 Mb | 5% repair rar
© 1972-73, 1994 Saja Music / DCC Compact Classics ‎| GZS-1060
Pop/Rock / Folk / Blues / Singer/Songwriter / Soft Rock / AM Pop / Contemporary Pop/Rock

These aren't exactly Jim Croce's greatest hits, although most of them–"Operator", "Time In a Bottle", "Bad, Bad, Leroy Brown," and "I'll Have to Say I Love You In a Song" among others–are here. More specifically, 24 CARAT includes the complete YOU DON'T MESS AROUND WITH JIM album, plus the best cuts from LIFE AND TIMES and I GOT A NAME. Better yet, everything's been beautifully remastered in typical DCC fashion, which means that the lower frequencies seem more burnished than ever. The overall clarity is remarkable, and particularly works to the advantage of Croce's signature sound of two finger-picked acoustic guitars playing harmony lines.

Two CD collection containing 48 tracks from the Joe Gibbs' stable of the 1970s, featuring a diversity of performer and musical styles. Includes significant Jamaican hits alongside almost forgotten rarities, with all but 15 recordings making their CD debut, many tracks unavailable on any format since the early '70s with 33 tracks new to CD. As the '70s unfolded, producer Joe Gibbs continued his inexorable rise to the top of the island's musical tree. His willingness to try new talent and styles gave him an edge over many of his contemporaries, as reflected in the willingness of major artists to join his roster of acts.

George Crumb - Makrokosmos I & II (1972-73) for amplified piano - Margaret Leng Tan (2004) {Mode 142 Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (deezer.com) -> 236 Mb | MP3 @320 -> 156 Mb | Cover | 5% repair rar
© 2004 Mode Records | Mode 142
Classical / Contemporary Classical

Makrokosmos I and II for amplified piano (1972-1973) are vintage works by George Crumb, composed during the highly productive period that yielded his mystical Songs, Drones and Refrains of Death; Ancient Voices of Children; and Black Angels – an impressive output that had a tremendous influence on the experimental music of the 1970s. This 2004 recording of Crumb's 24 fantasy pieces on the Zodiac may seem a bit of a trip down memory lane, insofar as comparisons with the historic Nonesuch and Columbia Odyssey LPs are inevitable; and it is apparent now how widely Crumb's original techniques infiltrated the piano music of his contemporaries.