Dreams of Ordinary Men is the eighth studio album recorded by Australian-New Zealand rock band Dragon. The album was released in August 1986 and peaked at number 18 on the Australian Kent Music Report and was certified platinum in November 1986. During the '70s, the notoriously decadent Dragon was among the biggest rock bands in New Zealand, gaining even greater success on the Australian circuit. Dragon's history begins with brothers Todd and Marc Hunter, natives of the North Island town of Taumarunui; from childhood on, the siblings performed professionally in their parents' jazz band, with Todd learning guitar and Marc picking up the drums. As the years passed, both Hunter brothers played in a variety of local bands, both together and independently; Dragon emerged in 1973 from the remnants of Staff, a group featuring Todd on bass, in addition to singer/pianist Graeme Collins, guitarist Ray Goodwin, and drummer Neil Reynolds…
Twenty-selection of the best romantic songs from the record label "Arcade", (more than 300 songs that have long become a classic music). It is probably easier to list those artists and those styles, those countries and continents that are not in this collection. It is just necessary to listen.
The Top 100 '80s Rock Albums span a series of genres as startling and varied as the era's neon-flecked fashions.No one was immune to the early-decade emergence of new wave, from up-and-coming acts to legacy groups – many of whom began incorporating the then-new sound into their bedrock approach.Meanwhile, classic rock and subsequently metal began a transformation into mass acceptance when the edges were smoothed out to form arena rock and hair metal, respectively. The arrival of roots, thrash, and world music influences kept things interesting, along the way. All of it made selecting the period's best releases both intriguing and deeply challenging.Check out the list below, as Ultimate Classic Rock takes a chronological look at the Top 100 '80s Rock Albums.
Gil Evans celebrated his 75th birthday shortly before this session was issued in Japan. He was not looking back, judging from the progressive, animated quality of these numbers. They included some extensive, rollicking numbers, songs with multiple movements, and energized solos from John Clark on French horn, trumpeter Lew Soloff, bass trombonist Dave Tucker, and bassist Mark Egan. Special guest Johnny Coles chimed in on "Half Man, Half Cookie." Some critics rapped Evans' '80s orchestras for their almost chaotic sound and loose feel. But Evans wanted a sprawling sensibility, and although his bands often seemed disorganized, they always maintained discipline in the midst of what others thought sounded like musical anarchy.