Live In Koln 1979. In The Shadow Of The Dom is already the third release in the series presenting unique SBB concerts from the 1970s. This time we propose one of the series of three appearances in Cologne that they had venue in September 1979. It is a concert full of spontaneity and improvisation - a unique opportunity to hear the band at their peak, giving up playing their most famous pieces for an hour and a half of musical story - composed hot. Live In Koln 1979. In The Shadow Of The Dom will surprise all progressive rock fans - it is rare to find such lightness in creating the mood and playing with colors and sounds.
Interestingly, while always priding themselves on being a kick-ass live band, ZZ Top never got around to issuing a full-length live album during their 1970s/1980s peak. But as they say, it's better late than never, and 2011 finally saw the arrival of an archival live ZZ Top recording, Live in Germany 1980. Featuring half of the audio portion of their 2009 Double Down Live DVD, Live in Germany 1980 does a fantastic job of displaying all of the group's pre-Eliminator classics in a concert setting…
This double-disc set assembles Jon Anderson's own tapes from the New Life Band Song of Seven tour of 1980 on their Sheffield stop (December 3 for those who document such things). The nonet band includes Morris Pert, Ronnie Leahy, Lee Davidson, Jo Partridge, and Barry DeSouza…
After fifteen years of touring with the beloved Hot Band, Emmylou Harris formed the Nash Ramblers, a new acoustic all-star group, in 1990, featuring Sam Bush (fiddle, mandolin, vocals), Roy Huskey Jr. (bass), Larry Atamanuik (drums), Al Perkins (dobro, banjo, vocals), and Jon Randall Stewart (acoustic guitar, mandolin, vocals).
In Handel’s Rodelinda, the characters know only too well that in the corridors of power, complete candour is unwise. In the face of dishonour and the loss of her loved ones, Rodelinda’s dignified resistance and exemplary spirit ultimately elevate her amongst her rivals. In this recording The English Concert together with an all-star cast, directed by Harry Bicket, bring to life Handel’s music as it underpins the intricate twists and turns of his characters and their complex relationships.
For two decades, MONO have defined and refined a kind of orchestral rock that is as emotional as it is experimental. Their 10 studio albums over those 20 years have established MONO as what Pitchfork described as “one of the most distinctive bands of the 21st Century.” Meanwhile, their live concerts are typically more subdued in instrumentation – and more supercharged in volume and voltage. Rarely is there the opportunity to combine those two experiences. In their 20-year history as a band, MONO have presented no more than a half-dozen live concerts featuring the support of an orchestra. Such events are not only unusual – they are also unforgettable.