Scats & Tracks

Mike Bloomfield, Al Kooper, Steve Stills - Super Session (1968) [Audio Fidelity 2014] MCH PS3 ISO + DSD64 + Hi-Res FLAC

Mike Bloomfield, Al Kooper, Steve Stills - Super Session (1968) [Audio Fidelity 2014]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 52:41 minutes | Full Scans included | 3,48 GB
or DSD64 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | 50:20 m | Full Scans included | 1,29 GB
or FLAC 2.0 (carefully converted & encoded to tracks) 24bit/96 kHz | 50:20 m | Full Scans included | 1,17 GB
Features Stereo and Multichannel Surround Sound | Audio Fidelity # AFZ5 186

Super Session is an album conceived by Al Kooper and featuring the work of guitarists Mike Bloomfield and Stephen Stills, released on Columbia Records in 1968. Bloomfield and Stills do not play together on the album, with tracks including Bloomfield on side one, and those including Stills on side two. It peaked at number 12 on the Billboard 200, and has been certified a gold record by the RIAA.
Mike Bloomfield, Al Kooper, Steve Stills - Super Session (1968) [Audio Fidelity 2014] MCH PS3 ISO + DSD64 + Hi-Res FLAC

Mike Bloomfield, Al Kooper, Steve Stills - Super Session (1968) [Audio Fidelity 2014]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 52:41 minutes | Full Scans included | 3,48 GB
or DSD64 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | 50:20 m | Full Scans included | 1,29 GB
or FLAC 2.0 (carefully converted & encoded to tracks) 24bit/96 kHz | 50:20 m | Full Scans included | 1,17 GB
Features Stereo and Multichannel Surround Sound | Audio Fidelity # AFZ5 186

Super Session is an album conceived by Al Kooper and featuring the work of guitarists Mike Bloomfield and Stephen Stills, released on Columbia Records in 1968. Bloomfield and Stills do not play together on the album, with tracks including Bloomfield on side one, and those including Stills on side two. It peaked at number 12 on the Billboard 200, and has been certified a gold record by the RIAA.
Clark Terry - One On One (2000) [Reissue 2002] MCH SACD ISO + DSD64 + Hi-Res FLAC

Clark Terry - One On One (2000) [Reissue 2002]
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 66:11 min | Front/Rear covers | 3,01 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Covers | 1,59 GB
or FLAC 2.0 (carefully converted & encoded to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,15 GB
Features Stereo and Quardrophonic Surround Sound | Label: Chesky Records # SACD 231

On his landmark album, One On One, legendary trumpeter / flugelhorn player Clark Terry performs intimate duets with 14 of the world's greatest living pianists. Conceived as a "tribute" album of sorts, this recording spotlights the artistry of not only Terry but also the masters of 20th-century jazz piano and composition: each pianist performs an homage to his or her own jazz hero. The Multi-Channel version of the Chesky CD already considered a classic by many Jazz critics. This disc features a who's who roster of jazz pianists including John Lewis, Marian McPartland, Monty Alexander & Tommy Flanagan to name a few.
Mike Bloomfield, Al Kooper, Steve Stills - Super Session (1968) [2014 Audio Fidelity SACD AFZ5 186]

Mike Bloomfield, Al Kooper, Steve Stills - Super Session (1968) [2014 Audio Fidelity SACD AFZ5 186]
EAC Secure Rip | FLAC (Image + Cue + Log) - 327 MB | Complete Scans (Jpeg 600 dpi) - 110 MB | MP3 (CBR320 Kbps) - 125 MB
Blues | Audio Fidelity | AFZ5 186 | 50:52 minutes | Hosted on: Filepost, Uploaded & Oboom
CONTAINS CD LAYER ONLY

Super Session is an album conceived by Al Kooper and featuring the work of guitarists Mike Bloomfield and Stephen Stills. Bloomfield and Stills do not play together on the album, with tracks including Bloomfield on side one, and those including Stills on side two. It peaked at #12 on the Billboard 200, and has been certified a gold record by the RIAA.
Mike Bloomfield, Al Kooper, Stephen Stills - Super Session (1968) Japanese Blue-spec CD 2, Expanded Remastered Reissue 2014

Mike Bloomfield, Al Kooper, Stephen Stills - Super Session (1968)
Japanese Blue-spec CD 2, Expanded Remastered Reissue 2014

EAC | FLAC | Tracks (Cue&Log) ~ 488 Mb | Mp3 (CBR320) ~ 178 Mb | Scans ~ 157 Mb | 01:17:13
Electric Chicago Blues, Blues-Rock | Label: Sony Records Int'l | # SICP 30453

As the Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967) had done a year earlier, Super Session (1968) initially ushered in several new phases in rock & roll's concurrent transformation. In the space of months, the soundscape of rock shifted radically from short, danceable pop songs to comparatively longer works with more attention to technical and musical subtleties. Enter the unlikely all-star triumvirate of Al Kooper (piano/organ/ondioline/vocals/guitars), Mike Bloomfield (guitar), and Stephen Stills (guitar) – all of whom were concurrently "on hiatus" from their most recent engagements. Kooper had just split after masterminding the groundbreaking Child Is Father to the Man (1968) version of Blood, Sweat & Tears. Bloomfield was fresh from a stint with the likewise brass-driven Electric Flag, while Stills was late of Buffalo Springfield and still a few weeks away from a full-time commitment to David Crosby and Graham Nash. Although the trio never actually performed together, the long-player was notable for idiosyncratically featuring one side led by the team of Kooper/Bloomfield and the other by Kooper/Stills.

Fatboy Slim - Halfway Between The Gutter And The Stars (2000)  Music

Posted by Designol at March 25, 2023
Fatboy Slim - Halfway Between The Gutter And The Stars (2000)

FatBoy Slim - Halfway Between The Gutter And The Stars (2000)
EAC | FLAC | Tracks (Cue&Log) ~ 486 Mb | Mp3 (CBR320) ~ 174 Mb | Scans ~ 76 Mb | 01:15:43
Electronic, Big Beat, Funky Breaks, House, Trip-Hop | Label: Sony/Epic | # ESCA 8248

Halfway Between the Gutter and the Stars is the third studio album by British big beat musician Fatboy Slim. It was released on 6 November 2000 through Skint Records. It features Macy Gray, Ashley Slater, Bootsy Collins, Roland Clark, Jim Morrison, and Roger Sanchez as guest contributors. The album's title, mentioned in the single "Weapon of Choice" is an allusion to the Oscar Wilde quote "We are all in the gutter, but some of us are looking at the stars".

Dave Koz - The Dance (1999) {HDCD}  Music

Posted by popsakov at Nov. 24, 2022
Dave Koz - The Dance (1999) {HDCD}

Dave Koz - The Dance (1999) {HDCD}
EAC Rip | FLAC (Img) + Cue + Log ~ 441 Mb | MP3 CBR320 ~ 147 Mb
Full Scans ~ 52 Mb | 01:00:44 | RAR 5% Recovery
Smooth Jazz, Crossover Jazz, Jazz-Pop, R&B | Capitol Records #CDP 7243 4 99458 2 1

Since his self-titled 1990 smash debut, Dave Koz has been one of smooth jazz's greatest musicians. The saxman scored big on the radio and in retail even when he turned away from his established R&B/pop sound on 1996's Off the Beaten Path, which was done with more acoustic instruments. The Dance brings him back to the hard-hitting R&B funk sounds of that first album and its follow-up, 1993's Lucky Man. Aside from reuniting him with some of the producers who worked on his debut – Jeff Lorber, Carl Sturken, Evan Rogers, and his brother Jeff Koz – The Dance is a true testament to the art of collaboration.

Ellen Foley - Night Out (1979) Reissue 2005  Music

Posted by Designol at March 17, 2025
Ellen Foley - Night Out (1979) Reissue 2005

Ellen Foley - Night Out (1979) Reissue 2005
EAC | FLAC | Tracks (Cue&Log) ~ 270 Mb | Mp3 (CBR320) ~ 91 Mb | Scans included
Classic Rock | Label: Wounded Bird Records | # WOU 6052 | Time: 00:38:17

Night Out is the 1979 debut studio album by Ellen Foley, a long-time backup vocalist for Meat Loaf. Seven of the nine tracks were cover versions of Foley's favorite songs, while two were co-written by Foley, one of which was "We Belong to the Night", which hit #1 in the Netherlands and #31 in Australia around Christmas of 1979. The musicians were mostly from Ian Hunter's touring band for his 1979 album You're Never Alone with a Schizophrenic, with the addition of Australian musician Kerryn Tolhurst on slide guitar. Hunter and ex-Spiders From Mars guitarist Mick Ronson produced the album. Ronson suggested the two Philip Rambow songs and the piano backing for the final track "Don't Let Go", written by Hunter.
Cab Calloway - Best of the Big Bands (1990) {Columbia CK 45336 rec 1930s-1950s}

Cab Calloway - Best of the Big Bands (1990) {Columbia CK 45336 rec 1930s-1950s}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 130 Mb | MP3 @320 -> 109 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1930s-1950s, 1990 CBS Records / Columbia | CK 45336
Jazz / Big Band / Jive / Swing / Vocal Jazz

Cab Calloway's eccentric personality and wild onstage antics often overshadowed his musical contributions, when in fact, as this superb Columbia sampler demonstrates, the two went hand in hand. On all-time classic tracks like "The Jumpin' Jive," "Reefer Man," and the inexhaustible "Minnie the Moocher," the Hi-Di-Ho man's exuberance and vitality as a performer is grounded by his tight bandleading and the outstanding playing of his orchestra (which, over the years, included such greats as Dizzy Gillespie, Eddie Barefield and Chu Berry).

Granicus - Granicus (1973) [Remastered 2009] Digipak  Music

Posted by Andi_Deris at Feb. 10, 2018
Granicus - Granicus (1973) [Remastered 2009] Digipak

Granicus - Granicus (1973) [Remastered 2009] Digipak
EAC Rip | FLAC: Tracks+Cue+Log | MP3 CBR 320 kbps | Scans
521 Mb | 172 Mb | 33 Mb | Time: 01:13:05
Austria Record Finder | ARF 103
Rock, Hard Rock, Heavy Psychedelic Rock

Formed in Cleveland Ohio in the early '70s, they released only one album in 1973 [In 2009, the band reunited with the discovery of a rerelease of their original album, and in possession of recordings that were never released and without vocals.], which is an absolute gem! Granicus are often reviewed as a band heavy influenced by Led Zeppelin, it was even said that their singer, Woody Leffel, was to replace Robert Plant! But, the fact was, that Granicus were more dangerous than these commercial mega-stars! The great guitar work, influenced by the experimental psychedelic-progressive-garage scene, the mixture that gave the definition "hard rock classic" sound and the vocals of Leffel reaching sometimes a level that Robert Plant only wished he could.