Schmidt Hofner

The Return of the Fabulous Hofner Bluenotes is the twenty-second studio album by British singer-songwriter Chris Rea, released in 2008 by his own record label, Jazzee Blue. It comprises three CDs and double 10" Vinyl records in an 80-page hardback book. It is the second album of his project, the Hofner Blue Notes (2003). The project narrates the history of The Delmonts, an imaginary guitar instrumental band from the late 1950s, who in early 1960s evolved into blues band The Hofner Bluenotes. It also gives a brief history of the Hofner guitar, and its importance in the development of music in Britain. The music was recorded by Rea (guitars), Colin Hodgkinson (bass) and Martin Ditcham (drums), who feature in the book, together with Niel Drinkwater and Robert Ahwai.

The Return of the Fabulous Hofner Bluenotes is the twenty-second studio album by British singer-songwriter Chris Rea, released in 2008 by his own record label, Jazzee Blue. It comprises three CDs and double 10" Vinyl records in an 80-page hardback book. It is the second album of his project, the Hofner Blue Notes (2003). The project narrates the history of The Delmonts, an imaginary guitar instrumental band from the late 1950s, who in early 1960s evolved into blues band The Hofner Bluenotes. It also gives a brief history of the Hofner guitar, and its importance in the development of music in Britain. The music was recorded by Rea (guitars), Colin Hodgkinson (bass) and Martin Ditcham (drums), who feature in the book, together with Niel Drinkwater and Robert Ahwai.

It is an imaginary concert program comprising an enormous emotional spectrum from the extremely intimate (Malinconia, Waldesruhe, Prayer, etc.) to the virtuoso and life-affirming (Rondino, L‘abeille, and Andaluza); it is also a journey through disparate musical regions from North to South, from Finland to Spain, that poses some of the great questions of human existence: questions of meaning and duration, of inner peace, memory, and salvation. For years, the works I have selected here have always fascinated me with their inner greatness or melancholy beauty. Each of them is an homage to the virtuoso and lyrical possibilities of the cello and, not least, to the fantastic interpreters who have shaped my life as a musician – Emanuel Feuermann, Pau Casals, Gregor Piatigorsky, Gaspar Cassadó, Pierre Fournier, Mstislav Rostropovitch, and Arto Noras, to name only a few. Poe- tic moments of quiet contemplation encounter life-affirming, extremely sensual music of direct corporeal power.

At a time when many of his contemporaries were exploring more fluid structures, Franz Schmidt while perhaps stretching tonal harmony to its limits, continued to embrace 19th-century form and achieved a highly personal synthesis of the diverse traditions of the Austro-German symphony. His language, rather than being wedded to a narrative of dissolution and tragedy is radiant and belligerently optimistic and reveals this scion of largely Hungarian forebears as the last great exponent of the style hongrois after Schubert, Liszt and Brahms.

This is the second CD by the young German pianist David Theodor Schmidt playing music by Bach and music inspired by Bach. In the first CD from 2007 Bach Reflections he played the Sixth Partita, the 12th of the preludes and fugues from the Well-Tempered Clavier, Book II, plus one of the Shostakovich Op. 87 Preludes and Fugues and the Liszt 'Variations on a motif by Bach ("Weinen, Klagen, Sorgen, Zagen")'. I was somewhat critical of that earlier disc although I did feel that Schmidt is a talented newcomer to watch. I thought his playing was a bit callow and hoped he might mature. In this CD that hope has been fulfilled.

Mute and Spoon are pleased to announce the release of VILLA WUNDERBAR, on 4 November 2013, a 2CD set, compiling the work of Can founder Irmin Schmidt’s solo and soundtrack work, including two unreleased Can remixes and a collection of soundtrack pieces personally compiled by long-term collaborator Wim Wenders. CD1 is a compilation of Irmin Schmidt’s extensive work as a solo artist over the past 30 years, whilst CD2 – selected and presented by the filmmaker Wim Wenders – is an insight into Schmidt’s vast work as a composer for film and television for which Wenders has written extensive sleeve notes. The two CD compilation includes tracks such as Villa Wunderbar, Kick On The Floods and Bohemian Step, alongside unreleased remixes by Schmidt of two Can tracks, Alice and Last Night Sleep.

While the heart of jazz fusion may live in sunny California, USA, it is strengthened by impulses from all over the world. For 15 years and counting, lots of those have been emanating from Bremen, Germany. This city, located on the river Weser, is the birthplace and home of musician/composer Michael "MSM" Schmidt. In his day job, Schmidt works at a large insurance firm. At night, he is a passionate music composer whose works regularly make a splash in the US jazz-rock scene. His latest album - his fifth production - is entitled "Utopia"