Sir John Barbirolli was always considered a strong proponent of Grieg. The first disc in this two disc set feaures a marvelous 1969 performance from the Halle Orchestra of music from Grieg's incidental music to the Ibsen play "Peer Gynt", and not just the eight pieces which make up the two popular suites but also some essential additional selections. First and foremost "Solveig's Song" and "Lullaby" both beautifully sung by soprano Sheila Armstrong. Also the addition of the chorus to "In the Hall of the Mountain King" adds even more power to this already exciting moment from the music.
Four decades of friendship and musical partnership brings these two titans of classical music together again. Eagerly anticipated follow-up to their now-legendary recording of the first concerto. Recorded live in concert in Japan in May 2019.
Since the release of the first volume, (Piano Concerto and Symphony, BIS-SACD-1191), in February 2003, this series has been gathering the most extravagant praise, both for the committed performances of Ole Kristian Ruud and the Bergen Philharmonic – Grieg's 'own' orchestra – and for the sound quality, which has been held up as a model for all labels making orchestral Surround Sound recordings. With this, the sixth, instalment the turn has come to the Peer Gynt Suites, possibly the best-loved of all Grieg's orchestral music.
Beecham had an exquisite ear for detail, and his Peer Gynt has more fantasy — more subtlety, too — than anyone else's: Ase s Death and Anitra 's Dance are simply magical. So is the Symphonic Dance, and if In Autumn and the variations occasionally seem a litde thin musically, Beecham makes amends with keenness of attack and eloquent phrasing. The orchestra is superb and the transfers (which give us the variations in stereo for the first time), excellent.