One of Italy's best-loved artists, Adriano Celentano has been equally successful in film and music. Whether singing Elvis Presley-inspired rock, as he did as a member of the Rock Boys in 1957, or romantic balladry, Celentano found a dedicated market for his music…
A new IO Earth album is always a matter for rejoicing. Not only have they produced symphonic prog of the highest order for the best part of 10 years, but they’ve built a fan base that’s more like a family than a conventional audience. Solitude, however, is particularly welcome as it’s new vocalist Rosanna Lefevre’s debut on an IO Earth record.
Lefevre has an immediate impact. Where previous vocalist Linda Odinsen brought clean Scandinavian precision to recordings, Lefevre brings darker rock and blues sensibilities to bear. On the serious and heavy Breakdown, Lefevre demonstrates that she has technique to spare - few could so easily reach a note so high it might shatter glass, but it’s her lower register and mid-range that give IO Earth a new emotional centre…
Aura is the 5th studio album by IO Earth. In a departure from their usual writing style, IO Earth’s Dave Cureton and Adam Gough have created a new album that is still progressive, still genre defying, but is more focused on the exploration and development of melody than ever before. This is an album to listen to with your feet up and relax to.
IOEarth combines original melodies and sophisticated architecture. Their music style is very eclectic, it is of the neo-prog through the art-rock, ambient, electro and it is also a sacred group stage, they were invited to RoSfest 2012 United States along with Karmakanic, Deexpus, DIscipline. Let's turn to "Moments", mystery and madness hanging over the intro. Follows an atmosphere of neo-prog mode with a blazing guitar well supported by a powerful rhythm section.
At its center, the arpeggios of an acoustic guitar intertwine with electro sounds to Daft Punk. The soprano saxophone brings colors arabisantes while the trumpet is rather the Mexican accent…
4 Non Blondes howled their way onto the charts in 1993 with "What's Up?" and then vanished without a whisper. Formed in 1989 with Linda Perry (vocals), Shaunna Hall (guitar), Christa Hillhouse (bass), and Wanda Day (drums), 4 Non Blondes had no problems attracting major labels based on live shows and local radio support from KUSF, but the labels didn't know how to market them. After Day was replaced by Dawn Richardson, the group was eventually signed to Interscope Records and released Bigger, Better, Faster, More? in 1992. Although Hall contributed guitar tracks and some songs, she left before the album was released (replaced by Roger Rocha for the tour). Dominated by Perry's high-pitched singing, "What's Up?" was slowly added to modern rock stations and then crossed over into the mainstream, peaking at number 11 on the Billboard Top 200…
Like many of even the most prolific and celebrated composers of the sixteenth century, Jacobus Clemens non Papa (‘not the Pope’) has offered the history books little factual material with which to work. In contrast to the paucity of biographical material, however, many sources of Clemens' music survive. Indeed, he is one of the most widely published musicians of the entire century with fifteen Masses, over two hundred motets, many Dutch psalms and French chansons to his name.
San Francisco's 4 Non Blondes burst onto the national scene with their massive, neo-hippie anthem "What's Up" from their debut Bigger, Better, Faster, More? Although they failed to recreate the single's success, the album, as a whole, is a fairly engaging mix of alternative rock, quasi-funk, and blues. The focal point is on lead singer Linda Perry who also plays guitar and was the primary writer of the material. Perry has a powerful set of pipes akin to Johnette Napolitano, but, unfortunately, she tends to cut loose when a little more restraint would benefit the proceedings. However, "Superfly" is a feel good, funky number and "Spaceman"'s yearning lyrics are delivered over a quiet, martial drum rhythm. A solid debut that got lost in the wake of its mammoth hit.
This is the first time that a complete edition of Bellini's operas is released. The box includes an essay by Friedrich Lippmann, one of the world's most eminent scholars of the Sicilian composer, who in 2007 was awarded the international Galileo Galilei prize by the Italian Rotary Club for his contribution to the dissemination of Italian music in the world.
Decca is celebrating the 200th anniversary of the supreme master of Italian opera Giuseppe Verdi’s birth in matchless style by releasing in February 2013 a 75-CD box containing his entire canon of works.