Sina Notti

Patty Pravo, one of Italy’s most iconic and enduring pop stars, shines brightly in her 2013 compilation album, Best of Patty Pravo. This album is a carefully curated collection that spans the breadth of her illustrious career, showcasing her unique voice, charismatic style, and the timeless quality of her music.

Wonder's "classic period", which is widely considered to have ended in 1977, was noted for his funky keyboard style, personal control of production, and series of songs integrated with one another to make a concept album. In 1979, Wonder made use of the early music sampler Computer Music Melodian through his composition of the soundtrack album Stevie Wonder's Journey Through "The Secret Life of Plants". It was also his first digital recording, and one of the earliest popular albums to use the technology, which Wonder used for all subsequent recordings. Wonder's 1970s albums are regarded as very influential; the Rolling Stone Record Guide (1983) wrote they "pioneered stylistic approaches that helped to determine the shape of pop music for the next decade"

Warner Music Presents Paolo Sorrentino Music For Films album 20 original hits and the original artists genre Classical, Pop, Soundtracks. Includes tracks by Toni Servillo, Pasquale Catalano, Laurent Garnier, David Byrne and more.

The greatest film hits of Nino Rota. Including "The Godfather I-II-III", various Fellini films, "Romeo & Juliet", "Death on The Nile" and many others, performed by Solisti e Orchestre del Cinema Italiano. Nino Rota was an Italian composer, pianist, conductor and academic who is best known for his film scores, notably for the films of Federico Fellini and Luchino Visconti. He also composed the music for two of Franco Zeffirelli's Shakespeare films, and for the first two films of Francis Ford Coppola's Godfather trilogy, receiving the Academy Award for Best Original Score for The Godfather Part II (1974).

Italian Holidays è una compilation di vari artisti. Pubblicato nel 2017 su Warner Music Italia. Contiene pezzi degli anni '60, '70, '80 e '90.

There are few World film composers that can boast the prolificacy of Piero Piccioni. Since the early 1950s Piccioni has been a truly innovative composer of film music. In the 1950s he composed under the pseudonym of Piero Morgan, and since his first soundtrack Il Mondo Le Condanna of 1952, many directors sought Piero Piccioni to score the soundtracks for their films: Luchino Visconti, Bernardo Bertolucci, Vittorio De Sica, Roberto Rossellini, Elio Petri, Francesco Rosi, Mario Monicelli, Alberto Lattuada, Alberto Sordi, Luigi Comencini, Antonio Pietrangeli, Lina Wertmuller, Tinto Brass, Dino Risi, are just some of the great directors for whom he scored more than 300 wondrous soundtracks. Swept Away, Le Mani sulla città’, Camille 2000, Colpo Rovente, The 10th Victim, Amore mio aiutami, More Than a Miracle,

This is a new production from Teatro del Maggio Musicale Fiorentino. Il Tabarro is one of the three one-act operas that make up Giacomo Puccini’s Il Trittico. he element of Didier Gold’s Houppelande that most attracted Puccini was the opportunity to represent a river in music; it acts as a backdrop to the plot and determines its pace. The importance of this atmosphere is enormous, because it is linked to the mise en scène more tightly than is usual. The action takes place entirely on a barge on the Seine in Paris, which takes centre stage. The music describing the river uses a cyclic repetition of ostinato patterns, representing the monotonous flowing of the water, as inexorable as destiny and as regular as the flow of time. In the first part of Tabarro, the pulse of the river represents the life of the downtrodden in this world – longshoremen and boatmen. But even when it disappears, the musical identity between drama and location persists.