This 4 CD set brings together the best of Caballé's EMI recordings and includes highlights from all her complete operas, in which her tenor partners were fellow Spaniards Placido Domingo and José Carreras as well as her husband Bernabé Martí. The operatic composers whose works are included in the set are Bellini, Donizetti, Rossini, Meyerbeer, Verdi, Puccini, Boito, Giordano, Mascagni and Leoncavallo, and some of the operas
This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles–Manon Lescaut, Butterfly, Tosca–and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi…
Verdi at the Met captures the drama of Verdi's greatest operas as they were performed live at The Metropolitan Opera in New York. These ten recordings cover four decades starting with La Traviata in 1935 and feature some of the best-loved voices and conductors of the twentieth century. The famous pairing of tenor Richard Tucker and baritone Leonard Warren can be heard in Simon Boccanegra and La Forza del Destino.
This is a major release–a recording of Verdi's original version of Macbeth, composed in 1847, instead of the one we know, i.e., the 1865 revision. About a third of the score is different from the usually performed version, with Lady Macbeth singing a far more showy coloratura aria where "La luce langue" was later placed, a vastly different take on Macbeth's third-act delirium with the witches, a more conventional chorus than in 1865 to open the last act, and a final scene which is a more vivid confrontation between Macbeth and Macduff. There are also minor changes along the way which fans of the opera will enjoy comparing with Verdi's later thoughts.
Trust Gianna Nannini to come up with a provocative album cover. Her big break came 30 years previously with California and its infamous portrait of the Statue of Liberty holding a vibrator in place of a torch, and on 2011's Io e Te she proudly displays her belly pregnant with her first child, at the tender age of 56 – news that sparkled a debate in Italy about a woman's proper age to conceive…
Gianna Nannini used to release a compilation every decade, and the double-CD Giannabest is her entry for the 2000s. In addition to all of the usual greatest hits, the thoroughly superb Giannabest trumps former collections by including material from the four fine studio albums Nannini released between 1998 and 2007, the 1971 rare demo "Sola con la Vela," a Will Malone remix of "Meravigliosa Creatura," and three stunning new songs written with Pacifico, "Suicidio d'Amore," "Pazienza," and "Mosca Cieca".