Jerome Correas and Les Paladins invite you to listen to this new disc on b.records where you travel to the court of Mantua when Vivaldi was composing the Concerto da Camera. The works that make up the Tempesta di Mare are extremely virtuoso and expressive and were written at the time in the composers career when he explored timbres and rhythms resulting in an explosion of colour. To consumer without moderation!
On their third album, Lucifer's Friend took a new tack: instead of being a progressive band or a hard rock band, they decided to incorporate both styles into a more ambitious sound that also worked in elements of soul and jazz. The resulting album, I'm Just a Rock 'n' Roll Singer, lacks the coherent flow that defines a good album but offers an array of tuneful, well-crafted tracks nonetheless. By this time, the band had learned to make their songwriting the focus of each track and tamed the instrumental soloing that overwhelmed Where the Groupies Killed the Blues.
On their third album, Lucifer's Friend took a new tack: instead of being a progressive band or a hard rock band, they decided to incorporate both styles into a more ambitious sound that also worked in elements of soul and jazz. The resulting album, I'm Just a Rock 'n' Roll Singer, lacks the coherent flow that defines a good album but offers an array of tuneful, well-crafted tracks nonetheless. By this time, the band had learned to make their songwriting the focus of each track and tamed the instrumental soloing that overwhelmed Where the Groupies Killed the Blues.
Through an arched gateway into the medina, inside a labyrinth of alleyways lined with shops selling spices and perfumed oils, rare vinyl and handmade instruments, comes the sound of the blues. Ancient and current, funky and rhythmic, buoyed by Arabic lyrics, soaring vocals and bass-heavy grooves, it seems to pulse from the heart of the Maghreb.