We Get Requests Again is a "best of" compilation of Oscar Peterson. It features a selection of Peterson's songs compiled and remastered by the renowned engineer Taizo Yano. This compilation was released exclusively in Japan.
Official 2016 remastered collection of Verve albums in replica card sleeves! Includes "Plays Count Basie", "A Jazz Portrait Of Frank Sinatra", "Jazz Soul Of Oscar Peterson", "Plays Porgy & Bess" & "West Side Story".
Oscar Peterson was one of the greatest piano players of all time. A pianist with phenomenal technique on the level of his idol, Art Tatum, Peterson's speed, dexterity, and ability to swing at any tempo were amazing. Very effective in small groups, jam sessions, and in accompanying singers, O.P. was at his absolute best when performing unaccompanied solos. His original style did not fall into any specific idiom. Like Erroll Garner and George Shearing, Peterson's distinctive playing formed during the mid- to late '40s and fell somewhere between swing and bop. Peterson was criticized through the years because he used so many notes, didn't evolve much since the 1950s, and recorded a remarkable number of albums.
Pianist Oscar Peterson has made a remarkable number of records through the years and his two songbook series for Verve (each recording features the songs of a different composer) were extensive, to say the least. During 1952-54 he cut ten albums (113 songs) and in 1959 he added nine more records (108 songs), in addition to his regular busy activities. Because these were essentially easy-listening sets with concise interpretations that always kept the melodies of the composers close by, they are not considered Peterson's greatest work but they are enjoyable in their own right. This particular two-CD set has some of the highlights from these marathon projects, most of which (the Gershwin songbooks excepted) had never been out on CD before…
To celebrate the marriage of Prince Charles and Lady Di of England, Oscar Peterson composed a ten-song suite that he performs on this album while accompanied by an unidentified string orchestra arranged by Rick Wilkins. Not too surprisingly Peterson (who doubles here on electric piano) proves to be a talented composer and, even if none of the individual pieces caught on (or was ever apparently recorded again by the pianist), the music on a whole is quite satisfying.
Pianist Oscar Peterson has long been such a consistent performer that none of his records are throwaways, but this particular set is weaker than most. Since several of the songs are the type that in the mid-'60s would get requested (such as "People," "The Girl from Ipanema," and "The Days of Wine and Roses"), the program would not seem to have much potential, but Peterson mostly uplifts the material (although not much could be done with "People") and adds a few songs (such as his own "Goodbye, J.D." and John Lewis' "D & E"). Overall, this is a reasonably enjoyable Oscar Peterson session, featuring bassist Ray Brown and drummer Ed Thigpen.