Stuart Rpsenberg

Roberto Valentini (1671–1747) was born in Leicester and most likely remained in England until his 21st birthday, when he emigrated to Italy, settling in Rome. A multi-instrumentalist, Valentini began his career in the papal city as a violinist, cellist and oboist, but is best known as a composer for the recorder, an instrument at which he excelled as a performer.

Born in Rome in 1678 to a family of German extraction, Nicola Francesco Haym was employed (from 1694 to 1700) as a violone and cello player by Cardinal Pietro Ottoboni in the orchestra led by Arcangelo Corelli. In the final years of this period the 2nd Duke of Bedford (Wriothesley Russell, 1680-1711) visited Rome and invited the violinist Nicola Cosimi to follow his entourage back to London. Cosimi in turn invited Haym to come with him as continuo cellist. Haym therefore moved to London in 1701 and would serve as the Duke of Bedford’s ‘master of chamber music’ until the patron’s death in 1711. A significant number of Haym’s compositions were produced during this first period in his life, among them diverse instrumental music for concerts at the ducal residences.

Following the success of the Grammy award-winning album ‘The Goat Rodeo Sessions’, Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile return with their sensational new album ‘Not Our First Goat Rodeo’. ‘Not Our First Goat Rodeo’ combines the talents of the four solo artists, each a Grammy Award- winning talent in his own right, to create a singular sound that’s part composed, part improvised, and uniquely American. The music featured in this stunning album is so complex to pull off that the group likens it to a goat rodeo — an aviation term for a situation in which 100 things need to go right to avoid disaster. Both the first album and the new recording also feature the voice and artistry of singer-songwriter and fellow Grammy Award-winner Aoife O’Donovan, who joins the group as a guest on ‘Not Our First Goat Rodeo’.

Leaving Songs by Tindersticks frontman Stuart Staples is his second solo album; his first, Lucky Dog Recordings 03-04, wasn't released in the States until now, as it is included here, thankfully, as a bonus disc. Leaving Songs is a true departure for Staples. The vocals and backing tracks were recorded in Nashville by Mark Nevers with the overdubs recorded back at Lucky Dog in the U.K. After the first lines of "Goodbye to Old Friends," the opening cut, it's obvious that this record is different, in its way, from what Staples has done before, either with or without his band; the tempo, horn lines, the chorus of female backing vocalists.

Country Music Hall of Famer, five-time Grammy-winner, and AMA Lifetime Achievement honoree Marty Stuart picks up where he left off on Altitude, his first new album in five years, exploring a cosmic country landscape populated by dreamers and drifters, misfits and angels, honky-tonk heroes and lonesome lovers.

‘The burly Aussie tenor is now even more identified with this ill-fated protagonist than Peter Pears, the first Grimes. And everywhere Skelton has sung the part, whether at English National Opera, the Proms, the Edinburgh festival or now on this international tour of a concert staging mounted by the Bergen Philharmonic, the conductor has been Edward Gardner. Theirs is one of the great musical partnerships, and they continue to find compelling new depths in this tragic masterpiece.’ – Richard Morrison – The Times. This studio recording was made following the acclaimed production at Grieghallen, in Bergen, in 2019 (repeated in Oslo and London and reviewed above). Luxuriant playing from the Bergen Philharmonic and a stellar cast under the assured direction of Edward Gardner make this a recording to treasure.

The City of Tomorrow releases Blow, a collection of three works for wind quintet, anchored by the premiere of a multi-movement work written for them by Hannah Lash. Guided by their virtuosity and commitment to polished interpretation, the album is an exploration of finely crafted compositions that take advantage of the rich colors of the instrumentation in all of its permutations.

They made precious little impact at the time, but Brighton based quartet the Mike Stuart Span have been lauded by collectors for at least a couple of decades now as one of the finest British psychedelic bands of the era. Licensing restrictions ensured that a definitive, all-encompassing Mike Stuart Span compilation remained an impossible dream.Until now, that is, because Children Of Tomorrow represents the Mike Stuart Span motherlode. Featuring every MSS studio recording known to have survived, it includes their brace of mod-soul singles for EMI and their notorious but little-heard stab at pop stardom with Fontana together with that superlative psych-pop 45 on Jewel and a host of demos in a similar vein…