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Yale Schola Cantorum & David Hill - Schütz: The Christmas Story (2019)

Yale Schola Cantorum & David Hill - Schütz: The Christmas Story (2019)
XLD Rip | FLAC (tracks+log+.cue) - 325 Mb | MP3 CBR 320 kbps - 171 Mb | Artwork included | 01:11:13
Classical, Sacred, Choral | Label: Hyperion Records

Schütz’s ‘Christmas story’ is an absolute delight from beginning to end, its charming tableaux of angels, shepherds and wise men completely belying the composer’s old age and constrained circumstances. Here it’s the jubilant climax to a programme of Christmas motets from the 1640s.
Paul McCreesh, Gabrieli Consort and Players - Heinrich Schütz: Christmas Vespers (1999)

Paul McCreesh, Gabrieli Consort and Players - Heinrich Schütz: Christmas Vespers (1999)
EAC | FLAC | Image (Cue & Log) ~ 350 Mb | Total time: 79:51 | Scans included
Classical | Label: ARCHIV Produktion | # 463 046-2 | Recorded: 1998-1999

Heinrich Schütz's Christmas Story, besides being a historical milestone, has always been one of 17th-century music's crowd-pleasers–the former because it's the ancestor of Christmas oratorios by Bach, Charpentier, and even Berlioz; the latter because it presents engaging depictions of the characters in the Nativity story with a cornucopia of colorful instruments (piping recorders for the shepherds, a galumphing bassoon (representing the gait of the camels?) for the three wise men, regally blaring cornets for King Herod, and pompous trombones for his priests).

VA - Heinrich Schütz - Great Recordings (2022)  Music

Posted by Rtax at Feb. 28, 2022
VA - Heinrich Schütz - Great Recordings (2022)

VA - Heinrich Schütz - Great Recordings (2022)
WEB FLAC (tracks) - 4.4 GB | MP3 CBR 320 kbps - 2.4 GB
17:57:41 | Classical | Label: UMG

Heinrich Schütz, in a way, stood as a bridge between the Renaissance and Bach. He infused his church music with a greater drama than previously heard in Germany by developing and transforming the Italian choral style he had learned in his studies with Gabrieli. Schütz's Psalmen Davids (1619) shows the influence of Gabrieli but also divulges his own unique voice. His melodic invention is in evidence in the Becker Psalter (1626), while his Geistliche Chor-Music (1648), a collection of motets, represents perhaps the greatest such assemblage from his century. A large number of his compositions went unpublished, most of those now lost. Schütz was born in Köstritz (now Bad Köstritz) and raised in Weissenfels, where his father operated an inn.
Hans-Christoph Rademann, Dresdner Kammerchor - Heinrich Schütz: Complete Recording, Box II [8CDs] (2017)

Hans-Christoph Rademann, Dresdner Kammerchor - Heinrich Schütz: Die Gesamteinspielung / Complete Recording, Box II [8CDs] (2017)
EAC | FLAC | Image (Cue & Log) ~ 2,01 Gb | Total time: 07:38:23 | Scans included
Classical | Label: Carus | # 83.042 | Recorded: 2011-2016

The first part of the Heinrich Schütz Complete Recording with the Dresdner Kammerchor under Hans-Christoph Rademann has set new artistic and editorial standards. Now the second of three box sets is being released. It encompasses Volumes 9 to 14 of the Complete Recording, including the St John Passion. This work, representative of the high standard of the whole series, was awarded the German Record Critics’ Award in 2016. Once again, top performers such as Hille Perl, Lee Santana, Dorothee Mields, Harry van der Kamp, and many others join the ensemble.
Paul Goodwin, The Academy of Ancient Music - A Christmas Collection: Schütz, Gabrieli (1997)

Paul Goodwin, The Academy of Ancient Music - A Christmas Collection: Schütz, Gabrieli (1997)
EAC | FLAC | Image (Cue & Log) ~ 292 Mb | Total time: 67:13 | Scans included
Classical | Label: Harmonia Mundi | # HMU 907202 | Recorded: 1998

Paul Goodwin’s A Christmas Collection (his debut disc with the Academy of Ancient Music) offers an anthology of Schütz’s shorter dialogues and motets by way of an alternative to the composer’s own Christmas Oratorio. Anyone who has ever endured that drily austere work will be pleasantly surprised by the rich textures and vocal expressivity of much of the music here, and by the dramatic wit, say, of the little Annunciation scene, ‘Sei gegrüsset Maria’, for male alto Angel and soprano Mary, in which the mother-to-be can’t help interrupting her heavenly visitor, first in sheer amazement, then in her eagerness to confirm her unblemished virgin state.