This is the fifth volume of Angela Hewitt’s cycle of Beethoven’s piano sonatas, and she is recording a full set of Mozart’s concertos too; and yet she is still probably best known for her Bach. So perhaps it’s no surprise that it’s when Beethoven slips into Bach-style fugues in the final movement of Op 110 that Hewitt sounds most masterful. Elsewhere she is incisive and thoughtful too, even if the two earliest works here, Op 2 no 2 and Op 10 no 1, demand a certain lightness of touch that they don’t quite get – the flurries and flourishes sound like collections of notes rather than single, self-propelling gestures. The second movement of Op 78 is a deft dialogue of question and answer, and Hewitt brings an inevitability to Op 110 that makes sense of its changes of direction even if she doesn’t obviously revel in the full extent and novelty of its inspiration.
Recorded live at the Dalton Center Recital Hall at Western Michigan University. The stellar band for the occasion was comprised of pianist Ellis Marsalis, bassist Reginald Veal, and drummer Ralph Peterson. From the thrilling opening crawl through 'Tin Roof Blues' to a strutting 'Sesame Street Theme' with some plunger mute magic all the way to the appropriately nostalgic 'Do You Know What It Means To Miss New Orleans' closer, this recording gives the listener a glimpse of the captivating, real and true soul and spirit of Delfeayo Marsalis.
The Tirith are one of the new UK-based Progressive / Classic Rock Bands. The band has a long history stretching back to the 70s, the present band reformed in 2010 and have been playing festivals and select gigs since 2011. The band is known for playing a wide variety of music within the Progressive genre and beyond. “Tales From The Tower” is a rare album of real songs performed, interpreted and recorded in the modern progressive idiom, and features the songs of Tim Cox and Richard Cory. Most of the songs on this album are from the time of the first incarnation of The Tirith, they are the classic Tirith songs of our youth.
Canned Heat are celebrating in 2015 their 50th birthday. Since 1967 Adolfo Fito de la Parra is the drummer and Larry The Mole Taylor on bass and guitar was in periods always in the line-up. Together they are the force and musicians who keep The Heat alive; on tour and by recordings…
Following the 2013 release of Betty’s S.F. Blends, Volume One and their third full-length album, 2014′s Phosphorescent Harvest, Chris Robinson Brotherhood are back with an exciting double-LP: Betty’s Blends, Volume Two: Best From the West. Taking cues from Volume One, the CRB once again joined forces with Betty Cantor-Jackson, legendary archivist for the Grateful Dead, and allowed her to curate the new live album.
Reissue with latest 2015 DSD remastering. Comes with liner notes. A bold little message from alto saxophonist Lenny Hambro – a very strong record that should have made him as much of a giant on his instrument as contemporary talents like Lee Konitz or Herb Geller! Hambro has some of the soulful edge of the latter, and lots of the crisp, modern chromes of the former – especially in the way he runs alongside some great guitar in the group from Dick Garcia – a player we mostly know for his work on the Dawn label at the time, but who really makes the record something special here. The rest of the combo features Wade Legge on piano, Clyde Lombardi on bass, and Mel Zelnick on rhythm – and Hambro's sax work is angular and very deft – already at the top of his game. Titles include the Legge originals "Slave Girl", "Message In Minor", "Moon Slippers", and "Hoof Beats" – plus Hambro's "Thanatopsis" and "The Lonely One".