In the Plain by Denmark's Savage Rose has a striking cover photo with psychedelic color coordinated band members surrounded by wild pink lettering of the group name. Inside is innovative music, pretty much living up to the typical Polygram hype from this era written on the back cover…
A typical organ-led instrumental rock album from 1970, On the Way to Eden was Eden Rose's sole LP. Despite the strong filiation between Eden Rose and Sandrose (both groups have the same lineup), the two of them could hardly be more different. Instead of the latter's symphonic progressive rock, Eden Rose's music is a bluesy kind of rock influenced by Procol Harum, Savoy Brown, and early Atomic Rooster. Keyboardist Henri Garella runs the show, penning down all the tracks and playing lead. A very good organist (and already a sought-after session man at the time), he plays fast solos, knows how to make his chords sound dirty (and/or cheesy), and how to groove on the Hammond, but his writing cruelly lacks originality…
Love As Projection is the new album by Frankie Rose, her fifth studio LP and second for Night School following the reissue of her interpretation of The Cure’s Seventeen Seconds. Frankie Rose has forged an enviable musical legacy, from playing with bands like Crystal Stilts and The Vivian Girls but on Love As Projection she takes a bold step into electronic pop production. A sumptuous recorded statement, it dances in ecstasy and broods on the tumult of the western world’s decay in equal proportion. At the heart of the album is glowing, confident songwriting, resplendent in hooks and choruses but still touched with an optimism undimmed.
A very diverse collection of protest-songs, folksongs, etc from all over the world, but performed in the native language of the band, danish. The songs include Joe Hill, El Pueblo Unido and one of the more beautiful hymns of football (a commission from the Danish Football Union)"Stjerneskud"…
Very pleasant and listenable album. Very close in sound to Rose`s classic (60-s - 70-s). Worth listening though not a masterpiece…
An unheralded landmark in art rock, this features Savage Rose keyboardist Thomas Koppel's score for a ballet by Flemming Flindt (the title translates to "Triumph of Death"). Nearly entirely instrumental (one song features Annisette on vocals), this is one of the finest classically influenced rock records…