Saint Saens & Bizet

Over a remarkably long and illustrious career, Camille Saint-Saëns thrilled audiences around the world as a pianist and organist, shaped the course of musical life in France, and enriched a multitude of genres with some 600 works, all bearing witness to the mastery of his craft. Setting his best-known compositions in their dazzlingly diverse context, this edition invites exploration and discovery. It spans more than a century of recording history, encompassing a host of great instrumentalists, singers, conductors and orchestras, many of them from France. Setting the pace, in performances from as early as 1904, is the composer himself.

Daniel Hope's new album "Dance!" reflects his boundless interest in the most diverse styles and periods of music. The star violinist takes the listeners on a journey through seven centuries of music history and explores the rhythms that have set bodies in motion and lifted hearts since time began.

Saint-Saëns excelled as a composer, conductor, pianist and organist – his composition output is enormous, reaching over 160 titles of which many are substantial – operas, ballets, symphonies – yet today much of his work remains neglected and he is known by a few works only: the Organ Symphony, Samson et Dalila, Danse Macabre and Carnival of the Animals. His original piano pieces are generally light ‘salon’ works but are nonetheless delightful and well formed. His major contribution to the piano works is the equally neglected body of transcriptions (of his own works and those of others) where he was sadly eclipsed by the more outgoing and promotion-minded Franz Liszt. This album and its companion include a number of first recordings, introducing a large body of keyboard gems to a new audience. Volume 1 is divided into two sections: transcriptions from Opera and Ballet, and pieces inspired by specific places.

Marianne Crebassa's new album celebrates her French-Spanish roots. Centered around French composers taking inspiration from Spain and Spanish composers, Séguedilles is a mix of opera arias and songs from composers Bizet, Massenet, de Falla, Mompou, Offenbach, Guridi, Ravel, and Saint-Saëns. It features hits such as the "Habanera" from Bizet's Carmen and Falla's "Vivan los que rien" from La Vida breve. Crebassa portrays 5 strong female characters Carmen, Dulcinée, Concepcion, Périchole, and Salud. She recorded the album with the Choeur & Orchestre National du Capitole de Toulouse conducted by Ben Glassberg.

After an album of French songs (Néère, Alpha 215) that earned her a Gramophone Award in 2016, Véronique Gens presents her new recital, this time with orchestra, which gives her an opportunity to display the maturity of her ‘Falcon’ soprano, the central tessitura typical of French Romantic opera, which takes its name from Cornélie Falcon, who created the works of Meyerbeer and Halévy staged in the 1830s.

The eight world premiere recordings included in this programme are played from a treasure trove of unpublished manuscripts obtained by Geoffrey Burleson from the Bibliotheque nationale de France, each of them filled with strong and imaginative ideas. Further virtuosic rarities by Saint-Saens include a solo transcription of his exotic Africa for piano and orchestra, and fantasies on works by Beethoven, Gounod, Liszt, Bizet, and others. Geoffrey Burleson has an active career as a performing artist, and has performed in such prestigious venues as the Eglise St-Merri, Paris; the American Academy in Rome; the Sibelius Academy, Helsinki; the Dimitris Mitropoulos Hall, Athens; the National Museum of Art, Mexico City and De Doelen, Rotterdamas as well as with the Buffalo Philharmonic Orchestra, the Arlington and New England Philharmonics, and the Holland Symfonia. He is on the piano faculty of Princeton University and the City University of New York Graduate Center, and is professor of music and director of piano studies at Hunter College, CUNY.

The Mariinsky Theatre in St. Petersburg is one of the most prestigious opera and ballet venues in the world. Built in 1860 and named in honour of Maria Alexandrovna of Hesse-Darmstadt, wife of Czar Alexander II, it is home to the famous Mariinsky Ballet as well as numerous international stars and ensembles. After the turn of the millennium it was painstakingly restored; and since 2013, St. Petersburg's Theatre Square has been crowned with the "Mariinsky II" an imposing new arts and performance venue. At its inauguration on May 2, 2013, the highly gifted conductor Valery Gergiev led a veritable who's who of the classical music world.

The 2010 New Year’s Eve concert from Berlin frames two of the most prominent stars on DG’s roster: Elina Garanca and Gustavo Dudamel. Recorded live, this gala performance sparkles with a selection of arias and orchestral works that include excerpts from one of Garanca’s most celebrated roles, Bizet’s Carmen, and Marguerite in Berlioz’s Damnation of Faust. As well as providing world-class accompaniment, the Berlin Philharmonic makes a stirring contribution to the program with the overture to Berlioz’s thrilling Roman Carnival and excerpts from Manuel de Falla’s ballet, The Three-Cornered Hat.