Between 1980 and 1998 Simon Rattle conducted no less than 934 concerts with the CBSO. Together they performed works by many 20th-century composers, as well as established favourites, and gave a total of 16 world premieres. Rattle also made 69 recordings for EMI with the orchestra. This box brings together that recorded legacy, which includes pieces by composers pivotal to his work, such as Mahler, Sibelius and Szymanowski, as well as some of the new compositions he championed — Nicholas Maw’s Odyssy, Mark Anthony Turnage’s Momentum, Three Screaming Popes and Drowned Out, and Thomas Ades Asyla.
This beautiful programme, recorded in 2014, brings us back to the Golden Age of the Netherlands, the 16th and 17th century, in which cultural life blossomed thanks to the economical prosperity brought by the overseas trade. Wealthy merchants commissioned works by artists like Rembrandt, Vermeer, Ruischdael and others. Also musical life flourished, and musicians from all over Europe came to hear and study with Jan Pieterszoon Sweelinck. Organist Matthias Havinga selected a beautiful bouquet of works by Dutch composers: Sweelinck, Van Noordt, Schuyt, Havingha (an ancient ancestor of the artist..?) and others. Havinga plays a magnificent Faber/Blank organ from 1651, located in the Jacobuskerk in Zeerijp. Matthias Havinga won several international organ competitions and his two previous recordings for Brilliant Classics (Bach Italian Concertos BC94203 and Passacaglias BC9269) have won great critical acclaim in the international press. The booklet contains extensive liner notes written by the artist, information on the organ and its specifications and an artist biography in English, Dutch and German.
The second 'classical music series' by Yosuke Yamashita special-big band members concentrated more / new world special big band. Dvorak's Symphony No. 9, Matsumoto from the 'new world' all movements in concert with conductor arrangement for big band. 12/18 decorated the prominence of the concert tour in 2014, Hyogo Prefectural Art Cultural Center performances as live journal audience enthusiasm.