Sam Records

When she delivered Box, Sam Brown had long since disappeared from the pop spotlight. It was nearly ten years since the hit single "Stop," and while she had continued to tour and record, her audience had shrunk substantially. That's too bad, because Box is arguably her best effort yet. Brown has always been a fine vocalist, but her material can be uneven. As Box illustrates, she's developed into a first-rate songwriter, capable of crafting melodic, memorable songs with true emotion and depth. It's mature pop with many layers and levels, and while that may limit its audience, those that want to seek it out will be pleasantly surprised by the strength of Box.

Stop! is the debut studio album by the English female singer-songwriter Sam Brown. It was originally released in June 1988, on the label A&M, and was distributed by Festival in Australia. Produced by Sam Brown, her brother Pete Brown, Pete Smith, Danny Schogger, and John Madden the album was recorded at the Power Plant, in London, England, with then-Pink Floyd member David Gilmour's guitar parts on "This Feeling" and "I'll Be In Love" being recorded at Greene Street Studios, in New York, United States. The track "Merry Go Round" has lyrics slightly adapted from W. H. Davies poem "Leisure".

Stop! is the debut studio album by the English female singer-songwriter Sam Brown. It was originally released in June 1988, on the label A&M, and was distributed by Festival in Australia. Produced by Sam Brown, her brother Pete Brown, Pete Smith, Danny Schogger, and John Madden the album was recorded at the Power Plant, in London, England, with then-Pink Floyd member David Gilmour's guitar parts on "This Feeling" and "I'll Be In Love" being recorded at Greene Street Studios, in New York, United States. The track "Merry Go Round" has lyrics slightly adapted from W. H. Davies poem "Leisure".

Sam's fifth album "ReBoot" was released in the UK on the 25th September 2000 and it's a wonderful album, diverse and very original, with plenty of nice surprises, contemporary production, faultless musicianship and of course Sam's remarkable voice as expressive as ever. It ranks alongside Sam's best ever work.