Samsara Blues Experiment are a Berlin based band, founded in Summer 2007 by leadguitarist/singer Christian Peters. They went through several changes in the first period but are in constant line-up since September 2008 featuring Hans Eiselt (guitar), drummer Thomas Vedder and Richard Behrens (bass). As the band name implies three elemental aspects are to notice - the blues as the fundament where it all comes from, the inclusion of spiritual influences accompanied by Indian/raga music and the experimental approach to mix up varied elements in a convincing manner.
The band's songs are dominated by a playful dual guitar work as well as a passionate blend of heavy psych, stoner and space rock. This is provided with several nuances and transitions in between - quite retro styled, jamming, even sometimes worked out with a repetitive hypnotic touch in the tradition of krautrock…
Two weeks ago, German heavy psychedelic rockers Samsara Blues Experiment announced they would be going on indefinite hiatus. Fair enough. 2020 makes it a decade since the band made their full-length debut with the jammy fluidity of Long-Distance Trip, a record that in no small part would define listener expectation from them even as they went on almost immediately to more progressive work. They’d already toured the US by then, hitting the West Coast in 2009 on the heels of their demo (discussed here, review here), and though they wouldn’t North American shores apart from two more shows in 2015, the years since they stopped through have not lacked adventure.
Samsara Blues Experiment are a Berlin based band, founded in Summer 2007 by leadguitarist/singer Christian Peters. They went through several changes in the first period but are in constant line-up since September 2008 featuring Hans Eiselt (guitar), drummer Thomas Vedder and Richard Behrens (bass). As the band name implies three elemental aspects are to notice - the blues as the fundament where it all comes from, the inclusion of spiritual influences accompanied by Indian/raga music and the experimental approach to mix up varied elements in a convincing manner.
The band's songs are dominated by a playful dual guitar work as well as a passionate blend of heavy psych, stoner and space rock. This is provided with several nuances and transitions in between - quite retro styled, jamming, even sometimes worked out with a repetitive hypnotic touch in the tradition of krautrock.
All six of the iconic Johnny Cash American Recordings LP's are now available in their entirety in one box for the first time. Produced by legendary producer Rick Rubin these 6 180gsm LP's are housed in a beautiful 12x12 cloth covered box.
Albums included are: American Recordings (1994), Unchained (1996), American III: Solitary Man (2000), American IV: The Man Comes Around (2002), American V: A Hundred Highways (2006), American IV: Ain't No Grave (2010).
At this point, the band was best-known as a British blues unit. Slowly but surely the band was becoming more acclimated with a production style that was reminiscent of the California pop sound. With the majority of the blues and psychedelic behind them, Mystery to Me finds Fleetwood Mac in a more ruminative vein. American guitarist Bob Welch established that path. Despite the all-encompassing ethos, Welch's songwriting skills made him walk a fine line between the mystical and the silly…
The fourth edition of Return to Forever was a band that emphasized the screaming wah-wah guitar of Al Di Meola and every electric keyboard Chick Corea could get his hands on to play furiously fast runs. Where the initial, airy Flora Purim/Airto/Joe Farrell edition gave way to the second undocumented group featuring Earl Klugh, and the third band with electric guitarist Bill Connors, this RTF was resplendently and unapologetically indulgent, ripping through riffs and charted, rehearsed melodies, and polyrhythms like a circular saw through a thin tree branch…