San Quentin 1946

Frank Chambers (John Garfield) is a drifter who stops at a rural diner for a meal, and ends up working there. The diner is operated by a beautiful young woman, Cora Smith (Lana Turner), and her much older husband, Nick (Cecil Kellaway). Frank and Cora start to have an affair soon after they meet. Cora is tired of her situation, married to a man she does not love, and working at a diner that she wishes to own. She and Frank scheme to murder Nick in order to start a new life together without her losing the diner. Their first attempt at the murder is a failure, but they eventually succeed…

Dans un village isolé de Suisse, Rossinière, le pasteur Jean Martens a recueilli Gertrude, fillette aveugle et à demi sauvage. Il prend en charge son instruction et l'affection qu'il peut ressentir pour elle se rapproche de plus en plus de l'amour. Devenue une ravissante jeune fille, Gertrude est opérée et recouvre la vue. Mais, partagée entre sa reconnaissance pour le pasteur et l'amour qu'elle éprouve pour son fils, Jacques, elle s'enfuit …

On the eve of her 16th birthday, Sylvie's father needs cash to stay in his castle so he sells Sylvie's favorite thing, a painting of Alain, the lover of Sylvie's grandmother, killed in a duel. Alain's ghost lives in the castle and Sylvie senses his presence, thinks she loves him, and fears that romance from the living will never come her way. Dad prepares a midnight surprise for Sylvie and her party guests: the appearance of the phantom. He's hired an actor, but two young men in love with Sylvie also volunteer to don white robes: Fred, the rich kid who bought the painting, and Ramure, a jewel thief in hiding. The youths declare their love, and Alain's ghost helps resolve all.

It's Paris in the winter after its liberation. A tramp who may also be Destiny predicts that Jean Diego will fall in love with a beautiful girl. That same evening, Jean meets Malou.

Under the Bridges is a 1946 German drama film directed by Helmut Käutner and starring Hannelore Schroth, Carl Raddatz and Gustav Knuth.

Hugely popular in his home country of Japan, Keisuke Kinoshita worked tirelessly as a director for nearly half a century, making lyrical, sentimental films that often center on the inherent goodness of people, especially in times of distress. He began his directing career during a most challenging time for Japanese cinema: World War II, when the industry’s output was closely monitored by the state and often had to be purely propagandistic. This collection of Kinoshita’s first films—four made while the war was going on and one shortly after Japan’s surrender—demonstrates the way the filmmaker’s humanity and exquisite cinematic technique shone through even in the darkest of times.

Dolly Payne is adored by two leaders of the fledgling American government, James Madison and Aaron Burr. She plays each against the other, not only for romantic reasons, but also to influence the shaping of the young country. By manipulating Burr's affections, she helps Thomas Jefferson win the presidency, and eventually she becomes First Lady of the land herself.

A reworking of the movie Three Blind Mice (1938) based on the play of the same name, which in turn led to another remake Moon Over Miami (1941). This remake is set during the turn of the century. Three sisters from Red Bank set out for Atlantic City disguised as an heiress, her secretary,and a maid, in the hope that one of them will land a rich husband.

Indian agent Fred CArson is secretly the leader of a band of outlaws, using his official position to loot the U.S. Government if Indian allotment money. Aided by Ceta, the tribal Medicine Man, Carson directs raiding and robbing activities, both against the Indians and the local ranchers.

Shy milkman Burleigh Sullivan accidentally knocks out drunken Speed McFarlane, a champion boxer who was flirting with Burleigh's sister. The newspapers get hold of the story and photographers even catch Burleigh knock out Speed again. Speed's crooked manager decides to …