Cardboard sleeve (mini LP) reissue from Pharoah Sander featurign 24-bit/96kHz remastering and original LP replica Cardboard sleeve (mini LP) jacket design. Recorded near the end of Pharoah Sanders' tenure at Impulse, Love in Us All consists of two extended compositions. Together, they serve as an aural representation of the way Sanders' music polarized the jazz world at the time. Like many of his "New Thing" peers, the saxophonist sought the sound world beyond the constraints of conventional harmony. This often translated into music played at the grating, far reaches of his instrument. "To John" finds Sanders in this territory.
By 1971, Pharoah Sanders had taken the free thing as far as he could and still live with himself. He was investigating new ways to use rhythm – always his primary concern – inside his music and more tonally strident ways of involving the front line in extrapolating tonal and harmonic diversions from the melodic framework of his music. To that end, he entered into a more groove-laden arrangement with himself and employed some funkier players to articulate his muse. Along with Cecil McBee and Billy Hart, who were frequent Sanders sidemen, a young Stanley Clarke fills the second bass chair, and Norman Connors fills out the second drum seat.
The albums packaged in this Impulse two-fer – Village of the Pharoahs and Wisdom Through Music – were both released in 1973, but only the latter was recorded as an album. They share the same basic personnel – pianist Joe Bonner, bassist Cecil McBee, drummer Norman Connors, and percussionist Lawrence Killian – while Village, because it was recorded at three different sessions over three years, also contains numerous other players, including vocalist Sedatrius Brown, bassists Stanley Clarke, Jimmy Hopps, and Calvin Hill, percussionists Hannibal Peterson and Kenneth Nash, and flutist Art Webb. Wisdom Through Music simply adds Mtume and Badal Roy to the percussion section, with Killian and flutist James "Plunky" Branch (founder of spiritual jazz-funk pioneers Oneness of Juju).
Best known for vibrant live concert performances, Kahil El'Zabar's Ritual Trio feature jazz from an African improvised perspective, and the precepts of the Association For The Advancement Of Creative Musicians based in Chicago. This club date at Chi-town's Hot House in the fall of 2000 is released eight years after being recorded. It marks a prior coming of age for El'Zabar, who plays the drum kit almost exclusively (he is featured on the booklet with a giant mbira), and always honors the celebratory aspect of music making…