Sarah Akinterinwa

This double recital, recorded on 9 November 1969 at the Berlin Philharmonic, takes place at a very special time in Sarah Vaughan's life. To everyone's astonishment, the small, awkward 45-year-old gave one of the most masterful stage performances of her career that could be captured on tape. In almost two hours she silenced all misgivings by proving how her approach to music remained eminently topical. Surrounded with an elegance as discreet as it is stimulating by a trio that is a master in the art of understatement, free of mannerisms, still as virtuosic as ever, developing her vocal technique to its highest degree throughout her incredible tessitura, between naturalness and sophistication, simplicity and refinement, Sarah Vaughan shakes things up. Sarah Vaughan resolutely favours sentimental melodies, making her warm, supple, suave and swinging voice the ultra-sensitive seismograph of the whole range of mixed feelings.

Released at the front end of 1999's Lilith Fair, Mirrorball is a take-home sampler of the live performances that catapulted Sarah McLachlan into the modern rock stratosphere. Over half of the album's 14 songs are radio hits (including four of the first five), proving McLachlan's worth as a pop songstress bar none, but also hinting at an underlying stagnation in her recent musical output…

Following the phenomenal success of the first Mozart y Mambo album, Sarah Willis returns to Cuba not only to record two more Mozart horn concertos but also to create a landmark original work that takes its place in Cuban music history. In Mozart y Mambo - Cuban Dances , Sarah commissions the very first Cuban horn concerto – calling on six young talented Cuban composers to each write an original dance for solo horn, strings, and percussion inspired by the most famous dance rhythms from across different regions of Cuba. Together with her beloved Havana Lyceum Orchestra conducted by José Antonio Méndez Padrón, Sarah takes us on a cross country musical road trip in this spectacular showcase of the roots and traditions of Cuba’s music and dance. Cuban Dances is Cuban music as it has never been heard before and a huge challenge for the horn player, not only technically but physically – “if you can’t dance it you can’t play it” she was told. So dance it she did! Mozart y Mambo - Cuban Dances is full of magic, energy, and passion, and Sarah’s love for Cuban music is evident in every track.

Jean-Marie Leclair was a master of fusing Italian and French idioms, conjoining the lyricism of the former with the dance momentum of the latter. Nowhere is this better exemplified than in his third book of violin sonatas. The sonatas in this album embody rich melodic beauty, drone and rustic elements – most vividly in the Tambourin of the C major sonata in which a hurdy-gurdy is employed – and demand tour de force virtuosity such as in the joyous Ciaccona of the G major sonata. Described by Gramophone as ‘technically and musically a marvel’ (Naxos 8.572866), Adrian Butterfield completes his acclaimed traversal of Leclair’s Violin Sonatas Books Nos. 1–3.

Legends of the period-performance community Sarah Cunningham and Richard Egarr need little introduction with their contributions to recorded music garnering critical acclaim from early music afficionados across the decades. They join forces for their AVIE Records debut recording of J.S. Bach’s celebrated Sonatas for Viola da Gamba and Harpsichord together with Cunningham’s dazzling Organ Trio Sonata and Flute Partita arrangements to conclude the programme. The Gamba Sonatas have long-established themselves as a staple in the cello/gamba repertoire, notably extending their fame into popular culture with the Adagio from Sonata No. 3 featuring (alongside with Bach’s solo suites) in Anthony Minghella’s 1990 BAFTA award-winning movie “Truly, Madly, Deeply”, starring Alan Rickman and Juliet Stephenson.

The soulful and gorgeous collection – produced by John Leventhal (Rosanne Cash, Elvis Costello) and recorded in his Manhattan home studio – follows Jarosz’s Grammy-winning 2016 release Undercurrent (Rounder). World On The Ground is a collection of stories both real and imagined exploring the tension and inertia of small-town living. Jarosz, a native of Wimberley, TX (pop. 2,626) and current NYC resident, explores the desire for escape set against the ease of staying put. The album is populated by sensitive souls, aimless wanderers, and back-porch daydreamers. Their stories are illuminated by the album’s spacious yet intricate arrangements and Jarosz’s captivating voice and richly detailed songwriting. With the scope of a novel and a sound inspired by classic Texas songwriting, World On The Ground paints a portrait that exists outside of time.

Hymn is the twelfth studio album by English soprano Sarah Brightman and first since 2013's Dreamchaser. The five-year gap between both studio albums marks Brightman's longest break between studio releases. This album marks Brightman's ninth studio collaboration with producer Frank Peterson. The album was released on 9 November 2018, entering at No. 1 on both the Billboard Classical Crossover Albums and overall Classical Albums, making Brightman the female artist with the most No. 1s in both charts.

On the verge of breaking the mainstream with 1994's Fumbling Towards Ecstasy, McLachlan released this live concert as a limited edition EP to promote her North American tour. Taken mostly from Solace, these seven songs are beautiful, ambient tracks that are not complimented by their live setting…

Certainly not the style of music McLachlan is known for, but Remixed is an album that will reach a new audience demographic that can at the very least appreciate her gorgeous voice, while serving as a continuing showcase for popular remixers and DJs now playing at a club near you…