Sarah Mclachlan Wintersongs

Possessing one of the finest singing voices of the 20th century, Sarah Vaughan was already an established solo star when she signed with Mercury Records in 1954, and between then and 1958, she recorded pop material on the label's main imprint and jazz material on the subsidiary EmArcy Records, although there was some overlap between the two. This lovingly conceived box set collects all of the jazz sessions Vaughan did under the Mercury umbrella during this stay (she returned to the label for a second run between 1963 and 1967) spread over four discs, including Images, originally released as a 10" and then reissued as a full LP with the addition of five more cuts as Swingin' Easy, the self-titled Sarah Vaughan (with Clifford Brown, Herbie Mann, and Paul Quinichette), In the Land of Hi-Fi (with Cannonball Adderley), a live set, Sarah Vaughan & Her Trio at Mister Kelly's…

Sarah’s new album ‘FRANCE’ will be released on November 20th exclusively in France! The first single, “Just Show Me How to Love You,” a masterful duet with the greatest French voice performer Florent Pagny, accompanied by the London Symphony Orchestra, will be released digitally on November 6th. The beautiful ‘FRANCE’ album also features artists Vincent Niclo, I Muvrini, Alessandro Safina, Roch Voisine, as well as other special guests such as Andrea Bocelli performing beloved classics. ‘FRANCE’ also includes a song by classical pianist Paul Ji, winner of Season 6 of ‘Prodiges,’ the acclaimed French musical competition television show on which Sarah will act as musical godmother in December.

AVID Jazz continues with its Four Classic Albums series with a re-mastered 2CD set release from Sarah Vaughan ('Sarah Vaughan', 'Swingin' Easy', 'At Mister Kelly's'; and 'No Count Sarah').

This special holiday album includes the beautiful song, “Le bonheur est multicolore,” written and composed by Jean-Jacques Goldman.. along with a new “Ave Maria” duet with Vincent Niclo, and many other wonderful holiday favorites!

Jean-Marie Leclair was a master of fusing Italian and French idioms, conjoining the lyricism of the former with the dance momentum of the latter. Nowhere is this better exemplified than in his third book of violin sonatas. The sonatas in this album embody rich melodic beauty, drone and rustic elements – most vividly in the Tambourin of the C major sonata in which a hurdy-gurdy is employed – and demand tour de force virtuosity such as in the joyous Ciaccona of the G major sonata. Described by Gramophone as ‘technically and musically a marvel’ (Naxos 8.572866), Adrian Butterfield completes his acclaimed traversal of Leclair’s Violin Sonatas Books Nos. 1–3.

This 1954 studio date, a self-titled album recorded for Emarcy, was later reissued as Sarah Vaughan with Clifford Brown to denote the involvement of one of the top trumpeters of the day. Vaughan sings nine intimate standards with a band including Brown on trumpet, Herbie Mann on flute, and Paul Quinichette on tenor, each of which have plenty of space for solos (most of the songs are close to the five-minute mark). Vaughan is arguably in the best voice of her career here, pausing and lingering over notes on the standards "April in Paris," "Jim," and "Lullaby of Birdland." As touching as Vaughan is, however, Brown almost equals her with his solos on "Lullaby of Birdland," "Jim," and "September Song," displaying his incredible bop virtuosity in a restrained setting without sacrificing either the simple feeling of his notes or the extraordinary flair of his choices…

Legends of the period-performance community Sarah Cunningham and Richard Egarr need little introduction with their contributions to recorded music garnering critical acclaim from early music afficionados across the decades. They join forces for their AVIE Records debut recording of J.S. Bach’s celebrated Sonatas for Viola da Gamba and Harpsichord together with Cunningham’s dazzling Organ Trio Sonata and Flute Partita arrangements to conclude the programme. The Gamba Sonatas have long-established themselves as a staple in the cello/gamba repertoire, notably extending their fame into popular culture with the Adagio from Sonata No. 3 featuring (alongside with Bach’s solo suites) in Anthony Minghella’s 1990 BAFTA award-winning movie “Truly, Madly, Deeply”, starring Alan Rickman and Juliet Stephenson.