Sasanami Akira Uchida

Revered pianist Mitsuko Uchida presents a brand new recording of this Everest of the piano repertoire. This long-awaited, much-anticipated cornerstone of her discography was recorded at Snape Maltings, one of the world's great concert halls with which Mitsuko feels a close affinity.

There is no doubt that Mitsuko Uchida is one of the leading Mozart pianists. And that fact alone gives this release credibility. But if we look deeper we find that this release is a magnificent example of her ability. Full marks must go to Phillips for bringing this major project together. The recording concept and organisation by Erik Smith and Rupert Faustle at the Henry Wood Hall London give us magnificent piano sound. The recordings were made during the 1980s. The set is recorded digitally and the sound is excellent in tone and balance.

Akira Jimbo, also seen as Akira Jinbo (神保 彰 Jimbo Akira), born February 27, 1959 in Tokyo, Japan) is a Japanese freelance jazz fusion drummer who is famous for his drumming independence and fusion of electronic drum technology and acoustic drums. Aside from his solo work, he is also the drummer in the Japanese jazz fusion band Casiopea and has participated in various side projects with other musicians, including Keiko Matsui, Shambara, bassist Brian Bromberg. He is the main product presenter of Yamaha Drums Japan.

Silent Hill Sounds Box is a collection of the Silent Hill game soundtracks.
Strings played at the bridge in streaking glissandi. Atonal clusters, filled in down to quarter-tones. Thundering piano chords. And what horror score is complete without the standard tool of surprise, the orchestra hit? These elements, in part derived from the early work of Polish composer Krzysztof Penderecki, which was itself featured prominently by Stanley Kubrick in The Shining, have become staples of horror scoring. While some of these elements appear in Akira Yamaoka's scores for the Silent Hill series, he focuses more on slowly building and maintaining an unsettling atmosphere than on startling the audience, much like the games themselves. The music is not only atypical as game music, but also atypical as horror music, and while it manifests elements of various genres such as trip-hop, industrial, and hard rock from time to time…

Originally released on 1986, 35th anniversary Marine Flowers’ first remastered, reissue. Genuinely composed as a documentary for Marine wildlife filmed in Palau and commissioned by Pionner's Laser Disc campaign.
Some artists have gained huge recognition, some records have been idealized to the point of becoming cult albums… and that’s exactly the case of Marine Flowers, by Japanese multiartist Akira Ito. An album that is unique, delicate, exploratory…
A true one of a kind sonic adventure that 35 years after its first release comes back in the form of a reissue via Glossy Mistakes.

Featuring Abraham Laboriel, Russell Ferrante & Patrice Rushen.
Akira Jimbo is a Japanese musician who combines electronic drum technology and acoustic drums. Aside from his solo work, he is the drummer for the Japanese jazz fusion band Casiopea and has participated in side projects with Keiko Matsui, Shambara, and Brian Bromberg. One aspect of Jimbo's drumming is the setup of his drums. Using Yamaha drums and Zildjian cymbals with Yamaha electronic drum triggers, Jimbo is able to create an array of different sounds. He points out that his mounted toms are aligned perfectly so that no one drum is lower or higher than the other, a method he applies to the floor toms as well.

Akira Jimbo is a Japanese musician who combines electronic drum technology and acoustic drums. Aside from his solo work, he is the drummer for the Japanese jazz fusion band Casiopea and has participated in side projects with Keiko Matsui, Shambara, and Brian Bromberg. One aspect of Jimbo's drumming is the setup of his drums. Using Yamaha drums and Zildjian cymbals with Yamaha electronic drum triggers, Jimbo is able to create an array of different sounds. He points out that his mounted toms are aligned perfectly so that no one drum is lower or higher than the other, a method he applies to the floor toms as well.

Atmosphere and gravity lean into each other. They are simultaneously expansive, and anchoring. They hold us, and lend a sense of perspective. They provide a stability and a knowingness which is essential in the absolute, and yet we can’t help but find ourselves gazing upward, outward and reaching towards that which sits outside those things and ways we know.

Atmosphere and gravity lean into each other. They are simultaneously expansive, and anchoring. They hold us, and lend a sense of perspective. They provide a stability and a knowingness which is essential in the absolute, and yet we can’t help but find ourselves gazing upward, outward and reaching towards that which sits outside those things and ways we know.