The Japanese lutenist Toyohiko Satoh (佐藤豊彦) is one of the most influential lute players of the last century. Born in 1943, he is now looking back on a career of over 40 years of lute playing, including 35 years teaching as a professor for lute at the Royal Conservatory of Den Haag, the Netherlands. Besides being a performer, he is also composing music for chamber ensembles and solo lute, as well as researching and writing about music.
This CD is markable reissue of very rare first LP of Somei Satoh. Like several other composers of his generation, Somei Satoh has an affinity for mysticism and meditation, and he attempts to convey stillness and timelessness in his extremely slow music. His works may be described as ambient, but their minor key harmonies and step-wise melodies seem more conventional than the blurred, unearthly sonorities usually found in that atmospheric genre.
Ensemble Alba Musica Kyo The group was founded in 1981 by the lutenist Toyohiko Satoh, along with other Japanese musicians living in the Netherlands who specialize in early music. The composition of the group varies for each project, with up to seven members being chosen from a regular core depending on the programme. Alba Music Kyo performs the music of the 14th-century Ars Nova (e.g. Machaut, Landini), 16th-century Elizabethan music (John Dowland, the music of Shakespeare), 17th-century Italian monody (Monteverdi, Frescobaldi), and contemporary music including Satoh’s own compositions (some of which are based on traditional Japanese melodies).
This new release features French baroque lute music played by lutenist Toyohiko Satoh on an original instrument from 1611. On this album, Toyohiko Satoh explores the musical connection between the French Style Brise and the Japanese aesthetics of Iki, creating a unique new interpretation of the French lute repertoire. The Japanese lutenist Toyohiko Satoh (????) is one of the most influential lute players of the last century. Born in 1943, he is now looking back on a career of over 40 years of lute playing, including 35 years teaching as a professor for lute at the Royal Conservatory of Den Haag, the Netherlands. Besides being a performer, he is also composing music for chamber ensembles and solo lute, as well as researching and writing about music.
With Sun/Moon, Somei Satoh speaks with the ancient, distinct voice of Buddha, with enough melodramatic romanticism to stir the emotions of even the most Western ears. Perhaps less cinematic than his previous album, Toward the Night, but no less passionate in tone, with gorgeous, rich dialogue between shakuhachi and koto that circulates between whispers, cries, gasps, and deep contemplation. The opening piece, "Kougetsu," is the sound of a rock garden minding its own business, a dragonfly dreaming restlessly amongst the bamboo. "Sanyou" follows in much the same way, in an expression of (as the composer puts it) "the purity of the early morning air." Shin Miyashita plucks his 17-string koto with patience, reverence, and in perfect symbiosis with Akikazu Nakamura, a stoic virtuoso on the shakuhachi.