Savant Audio Labs Quantum 2772 Evolution 0 3 Win

Fuse Audio Lab has launched the TCS-68, an audio effect that pays homage to one of the most iconic cassette tape based 8-track recorders. The TCS-68 cassette tape channel effect includes a faithful recreation of the preamp, the tape system and the EQ.

The second in the series of David Bendeth signature plugins. Modeled off of a Ward-Beck Systems M462B hardware EQ unit, The Hoser makes a great channel EQ to give that cohesive feel to your mixes.

Mongoose is a mid-side processor that sums all frequencies below a selectable crossover to mono, creating a mix that sounds natural in all environments.

T-Bone is an overall track or mix-bus tone-shaping EQ that lets you work quickly before ear fatigue rears its ugly head.

Bark of Dog 2 is a new and improved version of the plugin that started it all. Now with 3 different modes, it’s even better than before.

Micro pitch shifting is not a new effect. It is a trick that has been used for decades to thicken and widen vocals, synths and guitars (some people even use it on drums). So why did we make another one? Because we wanted one that was dead easy to use without sacrificing control. ProVocative is so quick and easy to dial in. It’s also incredibly light on your CPU without sacrificing quality.

L8R is a super simple but very handy plugin. With just a single knob (and a couple of buttons) it lets you apply micro delays to your left or right channel. It’s perfect for either correcting or creating very small timing differences between your stereo channels.

If there is a single plugin to take to the desert island, it's the VCS-1. This zero latency channel strip integrates all the tools needed for instant signal enhancement and dynamics control… and then some! Complexity remains under the hood, as the user interface is based on a comprehensive, practical layout which supports a nimble workflow and is easy on the eyes.

The second in the series of David Bendeth signature plugins. Modeled off of a vintage Canadian hardware EQ unit, The Hoser makes a great channel channel EQ to give that cohesive feel to your mixes. The Hoser takes advantage of some of the benefits of working in the digital domain, all while staying true to the analog sound. It is really the best of both worlds.

The Wall is is a brick wall limiter designed with one thing in mind: Make your mixes loud without screwing up your mix. No matter what side of the loudness wars you’ve decided to plant yourself on, the need to make mixes loud for clients isn’t going away any time soon. Sending your clients home with a mix that is just as loud as the professional mixes they are used to hearing is an important part of any mixing engineer’s job.