Schönherz Was Ist Liebe

Helig, heilig, heilig ist Gott ("Holy, Holy, Holy is God") comes from a portion of the catalog of Georg Philipp Telemann not often sampled on recordings, the cantatas he composed for the consecration of churches. They are 13 in number, minus two that are lost, and certain ones contain some of Telemann's biggest and boldest conceptions in sacred music outside of his Passions. It was written in 1747 for the re-opening of the Dreieinikeitskirche in St. Georg, a suburb of Hamburg. St. Georg was growing rapidly as Hamburgers fled disease and overcrowding in the city.

After securing their status as one of Manchester’s most exciting acts with their 2020 debut Architecture, and then consolidating the title with its 2021 follow-up The Art of Lying; new album Protagonists arrives as something of a new dawn for the four-piece. “This was our first straightforward album, which sounds strange given it’s the third one. Our first album was a little bit of a back catalogue, and the rest was written in the same vein to have a coherent record. The second album was a complete stab in the dark and written and recorded during lockdown restrictions, but it broke us into the top 100. Protagonists feels like the first album where there’s no pressure and one where we can cut loose."

Closing in on 20 years since their last album, the whole gang is here, pretty much – the core of Don and David Was and Sir Harry Bowens and Sweet Pea Atkinson, along with Was (Not Was) vets Luis Resto, David McMurray, Wayne Kramer, Donald Ray Mitchell, and Randy Jacobs, as well as roughly a couple dozen additional accomplices, from Booker T. Jones to (of course) Kris Kristofferson. Mixing and matching funk, rock, and soul with a little jazz and blues, and enhanced on occasion by some seamlessly incorporated electronics, Boo! delivers robust party material with plenty of straight-faced, sidesplitting/head-scratching humor…precisely what you'd expect from them, then. They've remained ageless all along, balancing their adolescent pranksterism with sharp social observations and deliriously random humor, deploying it all over sturdy grooves that roam unselfconsciously across the history of R&B.

On this album, Was (Not Was) explores various blends of funk, rock, dance and pop styles with delightful results. There is much quirky humour in a song like I Feel Better Than James Brown, an addictive tune with a hypnotic beat that pays tribute to James Brown's masterpiece I Feel Good. The lyrics are just priceless! Unusually for Was (Not Was), they also explore the dark side of life in Maria Novarro, a powerful song with a nervous beat and disturbing lyrics about domestic violence: "In the city of Angels, there's no mercy and there's no tomorrow for Maria Novarro …". Adding to the charms of this multifaceted album is Leonard Cohen who contributes the main vocal on Elvis' Rolls Royce over a jazzy background. The next track Dressed To Be Killed is a jerky rap number with lovely sax infusions, whilst Just Another Couple Broken Hearts is a mellow ballad.