Schroeder Roadshow Anarchie In Germoney (zarah Zylinder 16412 Zz) (ger 1979) (vinyl 24 96 & 16 44.1)

Stormbringer is the ninth studio album by Deep Purple, released in November 1974. On this album, the soul and funk elements that were only hinted at on Burn are much more prominent.

n The Skies is an album by British blues rock musician Peter Green, who was the founder of Fleetwood Mac and a member from 1967-70. Released in 1979, this was his second solo album, and the first after eight years of obscurity.
Accompanying Green on this album were several experienced session musicians, including Snowy White, who went on to work with Pink Floyd before joining Thin Lizzy. White contributed some of the lead guitar work on the album, since Green was not yet fully comfortable with his return to recording after his long break. Also present was Green's colleague and friend from his earliest bands, Peter Bardens.

A Different Kind of Tension was Buzzcocks' third album, released in 1979. It charted at number 42 in the United Kingdom and number 163 in the United States.

Too-Rye-Ay is the second album by Dexys Midnight Runners, released in August 1982. The album is best known for the hit single "Come On Eileen".

Titanic was a rock band from Norway, which also included a British member in its line-up. It was first active from 1969 to 1979, and also reformed twice.

At nearly seven-and-a-half minutes, "Blue Monday" is one of the longest tracks ever to chart in the UK. It has been cited as the biggest selling 12" single of all time by the band and in the film 24 Hour Party People, though this has not been corroborated by any independent sales chart. Despite selling well it was not eligible for an official gold disc because Factory Records were not members of the British Phonographic Industry association. However, the Official UK Chart Company (UK Singles Chart) has estimated its total UK sales at over one million.

Sabotage is the sixth studio album by the British heavy metal band Black Sabbath, released in 1975.Over the years, singer Ozzy Osbourne has often complained in interviews that this album marked the beginning of what he described as Tony Iommi's studio production obsession. Sabotage took considerably longer to record and produce than each of their preceding albums, making it the most costly Black Sabbath album to that point.