Schubert Gerald Souzay

The set includes 17th and 18th century arias and songs from England by Purcell, Handel and Green, French art-songs by Debussy and Fauré, as well as canciones by Spanish composers including Enrique Granados and Joaquín Turina.

"In the typically genial 2 CD collection of Schubert duets, trios and quartets are resurrected golden age stereo analogue recordings made in 1973. These come to 25 works, all piano accompanied. The artists are the elite of the day. The only name unfamiliar to me was the tenor Horst R Laubenthal. No corners are cut with the notes which have been freshly penned by Malcolm Macdonald. On the other hand there are no texts or translations.

This collection of all of Schubert's songs for low voice is one of the landmark recordings of the 20th century because it features two of the greatest Schubertians of their era, baritone Dietrich Fischer-Dieskau and pianist Gerald Moore. The recordings, made by Deutsche Grammophon between 1966 and 1972, come from Fischer-Dieskau's prime, when he was in his early to mid-thirties, his voice fully mature and its youthful bloom gloriously resplendent.

This latest release from the multi-award-winning partnership of Gerald Finley and Julius Drake features a literary and musical form which inspired the greatest voices of German Romanticism. The foremost poets and composers of the age saw the ballad as a direct link to the folk-minstrels of the past. Frequently ghoulish and sensational in character, ballads satisfied the popular taste for the Gothic.

Starker’s complete recordings with pianist Gerald Moore. This recording's first half has been released in the past as an LP in 1959, the second half had laid dormant in the Warner Classics archive for decades then finally had been digitized and revealed in 2014! Including virtuoso pieces for cello by Popper, Saint-Saëns or Cassadó and beautiful transcriptions of Bach, Chopin or Schumann.

As a matter of fact, this is your parents' Schubert lieder recital. Back in the '60s, when you were up in your bedroom listening the Beatles on your portable record player, your mom and dad were downstairs listening to Christa Ludwig on the console housed in the hutch. And while they wished you'd turn your music down, you wished they'd turn down their music down.

Garcia’s best-known work for guitar is his Études Esquisses, a set of sketches or studies that gradually grew to include a varied set of 25 pieces with titles that indicate their origin or purpose. The work concludes with a series of ‘Hommages’ – to Villa-Lobos, Lauro, Rodrigo and Piazzolla. His Celtic Airs, originally for guitar and flute, were reworked in 1994. The spirit of the Outer Hebrides and of Ireland is evoked.

I can claim possibly some very small influence on this record. Some years ago Jessye Norman broke the last and very difficult phrase of Ganymed with a breath. I then pointed out in a review that Gerald Moore (in Singer and Accompanist London: 1953) had urged singers to phrase it in one as Norman has done in recitals, and now on record, ever since. Cause and effect? I don't know. This is, in any case, one of the most rewarding performances on the record, sung with conviction and, throughout, with long-breathed phrasing.