Three years passed between the release of the Brad Mehldau's Day Is Done and this live outing. What's so significant about this is simply that the former record marked the debut of drummer Jeff Ballard, who had replaced longtime kitman Jorge Rossy. Ballard is a more physical, busier, and more energetic drummer, allowing for Mehldau and bassist Larry Grenadier to up the ante in terms of dynamic and rhythmic options. Day Is Done offered a number of wonderfully contrasting moments where Mehldau, a big pop music fan from all eras, wove a tapestry from Burt Bacharach and John Lennon to Nick Drake and Colin Greenwood, from Paul Simon to Chris Cheek, as well as inserting a few of his own compositions.
Tenor saxophonist Scott Hamilton is in typically fine form on his third album as a leader for Concord. While Hamilton is equally skillful on ballads and hot stomps, cornetist Warren Vache sometimes takes a few too many chances on the uptempo material although one admires his brave attempts; he fares best on "Darn That Dream." Singer Sue Melikian sounds fine on two short vocals, but it is the instrumentals by the sextet (which includes guitarist Chris Flory and pianist Norman Simmons) that are most memorable.
Eddie Higgins started his professional career in Chicago, Illinois, while studying at the Northwestern University School of Music. An elegant and sophisticated pianist, his encyclopedic harmonic approach and wide range of his repertory made him one of the most distinctive jazz pianists to come out of Chicago, gaining the respect of local and visiting musicians for his notable mastery of the instrument. Higgins also had the unusual ability to sound equally persuasive in a broad span of music, whether he was playing traditional swing, exciting bebop or reflexive ballads, providing the tone and stylistic flavor of each styles, as both a soloist and as accompanist…
Many great jazz artists have recorded, with great success, a live album at the Olympia in Paris while they visited or lived on Paris. Among these greats is Rhoda Scott. Her vast discography on Barclay is more or less still in the master tapes vaults but the "Live At The Olympia" CD, reissued on the Jazz In Paris CD program, is very good pick in the vaults. Supporting Scott playing the Hammond B3, the trio are Joe Thomas on flute/tenor saxophone and Cees Kranenburg on drums. Scott has always had great nose for mixing musical genres and tunes on her records, and "Live At The Olympia" is no exception . The trio treats the standards Bluesette", "I Hear Music", "Wade In The Water", "Equinox" and "People" with great musical inventiveness and interplay - they really tells us a new story on known themes.
Scott Hamilton's Ballad Essentials collects interpretations of standards like "Skylark", "Body and Soul", "In a Sentimental Mood", "'Round Midnight", and "My Romance". A solid collection from one of mainstream jazz's most consistent tenor sax players.
The second CD taken from the same Tokyo date that resulted in the Concord disc In Concert finds tenor saxophonist Scott Hamilton in predictably fine form, swinging on eight standards and playing melodic variations in a swing vein. With pianist John Bunch, guitarist Chris Flory, bassist Phil Flanigan and drummer Chuck Riggs taking concise solos and offering tasteful support, Hamilton is well showcased on such tunes as "All the Things You Are," "Taps Miller," "All Too Soon" and "Jumpin' the Blues."
The second CD taken from the same Tokyo date that resulted in the Concord disc In Concert finds tenor saxophonist Scott Hamilton in predictably fine form, swinging on eight standards and playing melodic variations in a swing vein. With pianist John Bunch, guitarist Chris Flory, bassist Phil Flanigan and drummer Chuck Riggs taking concise solos and offering tasteful support, Hamilton is well showcased on such tunes as "All the Things You Are," "Taps Miller," "All Too Soon" and "Jumpin' the Blues."