Scottish Mountaineer From August 2015

Lindsey Stirling brings her futurist world of electronic big beats fused with violin, dance, and animation to London s Forum Theatre. Filmed live during her Shatter Me World Tour, the 90 minute live show features her smash single Shatter Me along with several other tracks from her sophomore album which debuted at #2 on Billboard s Top 200 album chart.

Paul McCartney creates a splash whenever he releases a new album, but Ringo Starr stays a bit on the sidelines, cranking out records and tours to a smaller, dedicated audience. Starr is under no delusion that he might suddenly have a Top 10 smash: he's happy to be a working musician, which is all he ever wanted to be. After all, he was a working musician before he was a Beatle, a beginning he celebrates on "Rory & the Hurricanes," the opening track of Postcards from Paradise, his 18th studio solo album. "Rory & the Hurricanes" is part of a long line of latter-day autobiographical tunes from Ringo, and that's not the only similarity Postcards from Paradise shares with the records Starr has made in the new millennium…

Max Richter’s landmark 8.5 hour work SLEEP in an abrdiged 90 min. version. The SLEEP project explores new ways for music and consciousness to interact, a “personal lullaby for a frenetic world…a manifesto for a slower pace of existence.”

Hyperion's Romantic Piano Concerto series reaches its 70th album with this program of three concertos by women. The ongoing success of the series suggests that audiences are ready and waiting for wider repertoire, and pianist Danny Driver and the BBC Scottish Symphony Orchestra under Rebecca Miller deliver a real find here. The Piano Concerto in C sharp minor, Op. 45, of American composer Amy Beach has been performed and recorded, but it's been in search of a recording that captures the autobiographical quality of the work, well sketched out in the booklet notes by Nigel Simeone. Essentially, Beach faced creative repression from her religious mother and to a lesser extent from her husband, who allowed her to compose, but only rarely to perform. These experiences, it may be said, poured out in this towering Brahmsian, four-movement piano concerto, which sets up an unusual quality of struggle between soloists and orchestra. It's this dynamic that's so well captured by Driver and Miller (who happen to be married to each other). Sample the opening movement, which has lacked this quality in earlier performances.