Screamers 2: L'evoluzione (2009)

The Nearest Faraway Place Vol. 1 (2008). Voices from unknown lands, the call of endless space and the pulse of our time are interlaced in the music of Gert Emmens. It is cosmic and at the same time it is very earthy. And his music is a very powerful. It infects the listener with its vivid energy. This album brings feelings of freshness and simultaneously recalls the best samples of classical electronic music. It has a strong melodical basis around which the composer draws up his improvisations. One hour and eleven minutes run very insensibly with the colorful music of Gert Emmens. His album "Nearest Faraway Place Volume 1" is undoubtedly not just an addition to the artist’s rich discography but also to the collection of any ambient/electronic music lover. It is a creative perception of our contradictory and rapidly changing world…

This 37-disc box set is the only brand new and fully digital recording of the complete symphonies of Haydn. Performed by the Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) and conducted by Dennis Russell Davies, the recordings were done live in connection with concerts of the whole cycle. The series received fantastic reviews by the press, and The Stuttgart Chamber Orchestra was awarded the European Chamber Music Prize in 2008.

Dinah Washington - Dinah Jams (1954) {EmArcy 814 639-2 rel 2009
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 274 Mb | MP3 @320 -> 147 Mb
Full Artwork @ 600 dpi (jpg) -> 41 Mb | 5% repair rar
© 1954, 2009 EmArcy / PolyGram | 814 639-2 | US Remaster
Jazz / Vocal Jazz / Bebop / Jazz Blues

Recorded at the start of Dinah Washington's climb to fame, 1954's Dinah Jams was taped live in front of a studio audience in Los Angeles. While Washington is in top form throughout, effortlessly working her powerful, blues-based voice on both ballads and swingers, the cast of star soloists almost steals the show.

Larry Polansky (b.1954) - The Theory of Impossible Melody (1989) {New World Records 80684-2 rel 2009}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 348 Mb | MP3 @320 -> 159 Mb | Artwork | 5% repair rar
© 1989, 2009 Artifact Recordings / New World Records | 80684-2
Classical / Modern Classical / Avant-Garde / Guitar / Computer / Process-Generated

Composed in 1989, this electro-acoustic composition contains fascinating formal (transformational) logic programs that generate electronic and acoustic pieces; all of these programs were developed using the HMSL (Hierarchical Music Specification Language) designed by composers Phil Burk, Larry Polansky, and David Rosenboom. This piece is imbued throughout with the feeling of mysteries in the Cabalistic tradition.

Blues man Roy Rogers released breakthrough recordings Slidewinder and Blues on the Range in his early days for the Blind Pig label, and returns to their stable of artists with his first studio date in seven years, his latest since 2004, and his twelfth album overall. Like any evolving artist, Rogers has taken into consideration diversifying his sound while not adopting the trendiness that has crept into more commercialized blues. It seems he's taken cues from the great Charlie Musselwhite in modernizing his music with voodoo economics, teaming up with the Delta Rhythm Kings, European contemporary keyboardist Philip Aaberg, and multi-faceted saxophonist George Brooks.