Sepsis Baudouin, Simon V.

Melodious and charming, The Cunning Little Vixen is a work rooted in Czech history and folk music; a sentimental journey through the cycles of life. For Sir Simon Rattle, it's a deeply personal and emotional work. "It's the piece that made me want to become an opera conductor… and still one of the pieces that reduces me to tears more easily than any other," says the LSO's Music Director. Recorded with an outstanding cast during semi-staged performances, this recording is the second in an LSO Live series showcasing acclaimed collaborations between Rattle and the celebrated stage director Peter Sellars. Towering fanfares open Janácek's Sinfonietta, an ode to the composer's hometown of Brno in the now Czech Republic. It's a portrait composed for a national celebration of Slavic culture, with Janácek's love of musical tradition evident in dancing strings and celebratory brass.

From the moment he first raised the baton as principal conductor of the Berliner Philharmoniker in 2002, Sir Simon Rattle brought electrifying energy and a unique vision to the traditions established under his illustrious German predecessors, Karajan and Abbado. Renowned as one of the finest orchestras in the world, the Berliner Philharmoniker have thrived for 15 years under the guidance of the British maestro, its deep understanding of the great Germanic masterpieces enriched by new directions and broader musical horizons. The Rhythm & Colours box set celebrates this long and fruitful partnership with seven bestsellers and prize-winning Berlin Philharmoniker albums from the Rattle years. From monumental Mahler to the explosive rhythms of Stravinsky’s Rite of Spring and Carl Orff’s Carmina Burana; from the sensual colours of Debussy to the soaring anthems of The Planets by Rattle’s countryman Gustav Holst, Rhythm & Colours showcases the very best of Rattle’s legacy in Berlin.

egendary drummer Simon Phillips returns with Protocol V, once again reimagining his adventurous jazz/fusion outfit. Instrumentation is expanded to a quintet format, including saxophone, launching the group into sonic territory familiar to fans of Chick Corea's Elektric Band in the late 1980s. Strands of DNA from other iconic artists like John McLaughlin, Tony Williams, Allan Holdsworth and Jan Hammer are woven throughout. Simon's impressive compositional skills are also on display, culminating in an 11-minute mini-suite called "The Long Road Home."

Three of Szymanowski’s most important works show Rattle’s ability to energise music in which he believes. Sensuality and cogency blend in refined sound.

Between 1980 and 1998 Simon Rattle conducted no less than 934 concerts with the CBSO. Together they performed works by many 20th-century composers, as well as established favourites, and gave a total of 16 world premieres. Rattle also made 69 recordings for EMI with the orchestra. This box brings together that recorded legacy, which includes pieces by composers pivotal to his work, such as Mahler, Sibelius and Szymanowski, as well as some of the new compositions he championed — Nicholas Maw’s Odyssy, Mark Anthony Turnage’s Momentum, Three Screaming Popes and Drowned Out, and Thomas Adès’ Asyla.

The Australian World Orchestra is an orchestra like no other: the finest Australian classical musicians from the leading orchestras around the world, come home to join with the top Australian-based players in one thrillingly talented super-ensemble. With 95 electrifying musicians, representing more than 40 orchestras, together under one roof, the Australian World Orchestra is, in the words of Sir Simon Rattle, 'one of the great orchestras of the world'. Now reissued at a special price, Bruckner's Symphony No. 8 is the perfect choice of repertoire for such a brilliant ensemble: grand in scope, intimate yet profound in its emotional journey, and radiantly beautiful.