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VA - The Famous Sound of Three Blind Mice Vol. 1-3 (1987-1989) {TBM Records, TBM CD 9001~03, W. Germany}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.22 Gb | MP3 @320 -> 514 Mb | Artwork | 5% repair rar
© 1987-1989 Three Blind Mice | TBM CD 9001~03
Jazz / Post Bop / Contemporary Jazz

During the 70s, the Japanese jazz scene was in an incredibly intense phase - one that had players breaking out of older modes that were often strict copies of American jazz, and working in newer styles that often blended soul, modal, and spiritual jazz with freer-thinking ideas and more Eastern-inspired modes. The result was an incredible batch of music that was probably more strongly recorded by the Three Blind Mice label than any other Japanese imprint - because unlike some of their contemporaries, TBM didn't fill their catalog with work by American players, and often focused exclusively on Japanese artists.

Charlie Parker - The Complete Savoy Studio Sessions (1988) {Savoy, 3CD, ZDS 5500-1~3, Rare Early Press rec 1944-1948}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 839 Mb | MP3 @320 -> 493 Mb
Full Artwork @ 600 dpi (png) -> 1.18 Gb | 5% repair rar
© 1944-48, 1988 Savoy Jazz / SJ Records | ZDS 5500-1~3 | Rare
Jazz / Bop / Alto Saxophone

This three-CD box set contains all of the recordings Charlie Parker made for the Savoy label and it is overflowing with gems and an almost countless number of alternate takes. Bird was one of the most important jazzmen of all time and nearly every note he recorded (in the studios if not live) is well worth hearing. This box starts off with his sideman date with Tiny Grimes in 1944, contains Parker's famous "Ko Ko" session of 1945 (with a young Miles Davis on trumpet and highlighted by "Now's the Time" and "Billie's Bounce"), and continues through his 1947-1948 quintet sessions with a more mature Miles Davis; either Bud Powell, John Lewis, or Duke Jordan on piano; bassists Tommy Potter, Curly Russell, or Nelson Boyd; and drummer Max Roach. Together they recorded such classics as "Donna Lee," "Chasin' the Bird," "Milestones," and "Parker's Mood." Every scrap that the great altoist cut for Savoy is in this box.

In East Germany in the early 1970’s Martin Zeichnete worked as a sound editor for DEFA, (Deutsche Film-Aktiengesellschaft), the state-owned film studio. Like many young East Germans of the time he would listen furtively to West German radio at night and became infatuated with the Kosmische Musik or ‘Krautrock’ epitomised by the likes of Kraftwerk, Neu! and Cluster emerging from his neighbouring country. Martin, a keen runner, hit upon the idea of using the repetitive, motorik beats of this new music as a training aid for athletes. He thought it could benefit the mind as well as the body with the pulsing, hypnotic music bringing focus. A ‘borrowed’ prototype of Andreas Pavel’s Stereobelt showed Martin the technology to provide music on the move already existed and could easily be adapted for runners.

Eugen Jochum (1 November 1902 – 26 March 1987) was an eminent German conductor. He became famous primarily as an interpreter of Anton Bruckner's works. He became the first conductor to perform a complete recording of the nine symphonies of this composer.

He may be white and British but Dave Rodigan played a crucial role in spreading the word of British reggae.I recall his shows on Radio london (ignoring Tony Williams) and he educated me in things reggae.
This CD highlights some defining tracks which eventually bought about the term Lover's Rock.Anyone with a slight interest in reggae will recognise the likes of Ruddy Thomes,Horace Andy,Barry Biggs,The Tamlins and Louisa marks.All these artists deserved international hits with the tracks on offer here.Sadly,as always, reggae has not often attracted mainstream airplay unless the record has a gimmicky hook. This set also demonstrates how the likes of Dennis Bovell added British influences on reggae music production and then the likes of Sugar Minnott took them back to Jamaica.
A great choice of cuts and a great intro to Lover's Rock.