Serenity (2005)

Here is a case of expectations richly rewarded. Telemann's flute quartets are vibrant and tuneful, at times making great demands on the soloists. The Musica Antiqua Koln are in all ways up to the challenge, delivering a musical bouquet that is at various turns elegant, soothing, and exciting.

This release from 2005 offers 56 minutes of calming electronic music recorded live at the Liquid Sound Festival at the Toskana Therme, Bad Sulza on November 8, 2003. Mario Schönwälder, Detlef Keller (both on synths) and Thomas Kagerman (on violin) are joined by “friends”: Bas Broekhuis (on percussion), Gerd Wienekamp (from Rainbow Serpent) and Chris Lang (both on synths), and Andrea Saphira Leonhardi (on ethereal voice).
Employing gradually building strains in an improvisational milieu, the performers generate a distinguished dose of soothing sonics that steadfastly mounts in density and passion. Languid textures coalesce while percussion lurks with subtle presence…

Even by Bach’s standards, they are exceptional. All three of them were conceived as grateful celebrations of the ancient feastday of the Archangel Michael . St Michael’s day commemorates the apocalyptic combat and eventual victory of Michael and the angels of Heaven against the armies of Satan. All three of these cantatas are set for a festive orchestra with strings plus three trumpets, drums, and other luxuries (an extra third hautboy, a traverso in Cantata 130, and hautboys doubling on hautbois d’amour or playing oboe da caccia in Cantata 19).

what makes this recording so satisfying is the warmth, serenity and pliant lyricism of the performance. We have come to expect fleet tempos from the early-music movement. If anything, Mr. Harnoncourt's tempos, over all, are spacious. The sweet-voiced tenor Michael Schade is given such freedom to shape the phrases of the accompanied recitative "Comfort ye my people," that you listen to these words as if you had never heard them before…The soprano Christine Schäfer and the alto Anna Larsson also do radiant and affecting work. The chorus sings with impressive clarity and full-bodied yet unforced sound…Mr. Harnoncourt adheres to the manuscripts and editions of the work he deems the most reliable, especially with regard to the size of the string ensembles in the various movements.

Koan is the Duo comprised of Daniel Roeth and William Grey, and are based in Moscow, Russia. Daniel had been spinning vinyl since 1993 in local clubs; mainly Acid and Hard Techno. In 1995 he met William, who already had some experience in music making and sampler technologies. Together they founded two projects, "Koan" for Downtempo and "Vacuum Stalkers" for more Progressive/Tech stuff. Daniel soon left his career as a DJ and put all of his energy into the studio work. William took on the role of Sampler Programming/Producer. During 1995-2005 they wrote and recorded a lot of tracks, some of which disappeared in time bubbles and some of which were released and had a lot of success in local Moscow clubs…

Anthony Braxton - 20 Standards (Quartet) 2003 (2005) {4CD Set, Leo Records ‎CD LR 431/434}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.52 Gb | MP3 @320 -> 716 Mb
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© 2005 Leo Records ‎| CD LR 431/434
Jazz / Modern Jazz / Avant-Garde Jazz / Saxophone

Released a year after 23 Standards (Quartet) 2003, this second four-disc set doubles the amount of material released from Braxton's tours of Europe in early and late 2003, with the same lineup (Braxton on saxes, Kevin O'Neil on guitar, bassist Andy Eulau, and drummer Kevin Norton), same focus on jazz standards, and even the same dates in some cases. Together, the two four-CD sets released by Leo Records present recordings from ten different European dates (two in February 2003 and eight in November of that year). This second set continues with the editorial approach used in the first one: each disc consists of tracks from different concerts, brought together to make a balanced record.