Sergei Roxie Rivera

This Soviet production filmed live at the Kirov conveys the full beauty of Tchaikovsky's vision. It is a poetically tender work which was confirmed by Tchaikovsky himself in 1878 when he said I played the whole of Eugene Onegin, the author was the sole listener, the listener was moved to tears. Eugene Onegin is Tchaikovsky's most lyrical operatic work. While composing it, he wrote he was filled with indescribable pleasure and enthusiasm. The opera is based on Pushkin's novel in verse and was first produced in Moscow on March 29, 1879. Featuring Sergei Leyferkus as Onegin, Yuri Marusin, Tatiana Novikova, Larissa Dyadkova.

This 10-CD set wowed audiences when it first appeared in 1992, and with good reason – although music scholars and classical record collectors were well aware of it, the general classical audience of the late twentieth century likely had no inkling of how extensively Rachmaninov had recorded and otherwise preserved aspects of his playing and performances (in addition to his actual recordings, there were also the piano rolls that he did for the American Piano Company, which are a matter separate from this collection, and transcribed and released by Decca/London Records on CD).

A selection of lucid, intimate, and short-from Rachmaninoff works, interpreted with pinpoint technical precision.

REFERENCE RECORDINGS® is proud to present pianist, composer, and producer Sergei Kvitko’s new album, Schubert by Candlelight — Live in Madrid, a stunning collection of Schubert’s piano works. The album features thirteen piano works that showcase the beauty and depth of Schubert’s music, as well as the artistry and versatility of Kvitko, who is not only an award­-winning, critically acclaimed pianist, but also a composer, arranger, and internationally sought­-after producer and sound engineer. The album was recorded at Hinves Pianos, Madrid, Spain on April 7, 2022. It was performed, produced, and engineered by Sergei Kvitko, assisted at the session by audio engineer Jorge Núñez Colell.

Sergei Istomin and Viviana Sofronitsky made an accurate and unconventional choice of instruments for this recording of Bach’s Sonatas for Viola da gamba: a brilliant and resonant viol built by Jacob Stainer in 1655 and a Paul McNulty copy of a 1749 Silbermann fortepiano. The result is a unique, invigorating and captivating blend of tonal colours that conjure up a unique sound which emphasizes the melodic qualities of these famous works.