Sexo a Cavalo

Two restless young men (Sami Frey and Claude Brasseur) enlist the object of their desire (Anna Karina) to help them commit a robbery––in her own home. French New Wave pioneer Jean-Luc Godard takes to the streets of Paris to re-imagine the gangster genre, spinning an audacious yarn that’s at once sentimental and insouciant, romantic and melancholy.

In the fascist Italy of 1935, a painter trained as a doctor is exiled to a remote region near Eboli. Over time, he learns to appreciate the beauty and wisdom of the peasants, and to overcome his isolation. The story follows a real life anti-fascist intellectual, Carlo Levi, into his forced exile in small, isolated village in a remote region of Southern Italy. The village is populated by inhabitants who barely survive on the meager harvest of the unyielding land. Eboli, the closest train station, is the last outpost of civilization (such as it is) before entering a world that has changed very little since the Middle Ages. The movie title, after the book written by Carlo Levi, expresses all the sense of abandon, neglect, desolation and human despair. According to the local tales, even Christ, in his southward journey, went no further than Eboli. Beyond that point, not even God dared (or could be bothered) to go… (http://imdb.com/title/tt0079010/plotsummary)