Shape Singapore – March 2018

Craig Morris, former principal trumpet player of the Chicago Symphony Orchestra, has recorded brilliant solo trumpet versions of three Philip Glass classics. Morris’s new recording features works ranging from Glass’s constantly shifting Melodies (1995) to the driving minimalist rhythms and figures of Gradus (1968) and Piece in the Shape of a Square (1967). Melodies was written as incidental music for a play based on the novel, Un Captif Amoureux (Prisoner of Love) by the French author Jean Genet. Glass’s thirteen melodies cover a wide range of emotion, from touching and introspective to joyous and dancing. The visual element of Piece in the Shape of a Square, is much more a part of the composition than it is in Gradus. The music is set up in a roughly 10’ square, with one performer on the inside of the square and one performer on the outside. The performer on the inside moves around the square in a clockwise direction, while the performer on the outside moves around in a counterclockwise direction. Virtuoso trumpeter Craig Morris plays both parts on this fascinating recording.

Continuing his Bruckner cycle on Deutsche Grammophon with the Leipzig Gewandhaus Orchestra, Andris Nelsons presents the Symphony No. 7 in E major, paired with an excerpt from Richard Wagner's Der Ring des Nibelungen, "Siegfried's Funeral March" from Götterdämmerung. While this symphony is outwardly one of Bruckner's most approachable, particularly in its lyrical opening movement, its energetic Scherzo, and its jubilant Finale, its long, funereal Adagio makes the connection to the gloomy Ring selection more apparent, since this slow movement was composed in anticipation of Wagner's death. It also marks the first time that Bruckner used a quartet of the novel "Wagner tubas," and unusually wrote parts for cymbals, triangle, and timpani at the movement's climax, perhaps symbolizing Wagner's apotheosis.