She Devils on Wheels (1968) Herschell Gordon Lewis, Betty Connell, Nancy Lee Noble, Christie Wagner

With Nancy playing up the "girly" and Lee doubling down on the "manly," the duo's 1968 Reprise album "Nancy & Lee" turned an unlikely pairing into a vocal-pop delight-and a #13 LP. Four years later, Nancy and Lee reunited for a second album-one that proved to be every bit as endearing and several degrees more ambitious. Ranging from boldly psychedelic to sweetly cinematic, "Nancy & Lee Again" (1972) features the epic "Arkansas Coal (Suite)," the sensual "Paris Summer," the Dolly Parton-penned "Down from Dover," the country-flavored "Did You Ever" (a #2 UK smash) and more. This first-ever reissue of "Nancy & Lee Again" includes the bonus songs "Machine Gun Kelly" (first time on vinyl) and "Think I'm Coming Down" (previously unreleased) and the audio here is newly remastered from the original analog tapes. The expanded gatefold sleeve contains a 20-page booklet and features never-before-seen photos from Nancy's personal archive. And the #1 reason you should jump on this: it's a Collectors' Choice Music Exclusive pressing on hot-lookin' hot pink vinyl, limited to just 500 copies!

The wildest star among the first wave of rock & rollers – not for nothing was he nicknamed "The Killer" – Jerry Lee Lewis defied the odds and outlived all of his peers, a fate he seemed determined to outrun for a good portion of his long career. He came on like a supernova in the late 1950s, scoring three successive Top Ten singles that crystallized the ferocious excitement of rock & roll.

This 5-CD, 149-song box set brings together The Killer’s seminal recordings for Sam Phillips’ Sun Records label including “Whole Lotta Shakin’ Goin’ On,” “Great Balls of Fire,” “High School Confidential,” and much more.
Back in 1957, when Jerry Lee Lewis exploded on radio and jukeboxes with “Whole Lotta Shakin’ Going On” and “Great Balls of Fire,” rock’n’roll was brand new, young and wild, loud and dangerous. The same could be said of Jerry Lee. Jerry Lee was in Louisiana when he heard Elvis and Carl Perkins and knew he had to get to Memphis and Sam Phillips, a man he thought would understand his music. He was right. When Sam heard that wild, free spirit with a no holds barred piano pounding style, he put a microphone in front of him and …turned on the recording machine.

A number of diverse influences have helped shape the musical language of Malcolm Dedman (born in London in 1948 but resident in provincial South Africa since 2007), among them Bartók and Messiaen, his Bahá’í Faith and, more recently, his new South African homeland.