Shelleyan Orphan Century Flower

French poet and ASMR auteur Félicia Atkinson has frequently fixated on the elusive interwoven relationship between microcosms and macrocosms – how even the quietest creative act ripples outward in unforeseen ways, a whisper with no fixed meaning. Her latest work pursues this notion in a more literal and lasting fashion, as it was crafted while pregnant on tour, in impersonal hotel rooms in foreign cities. She describes it as “a record not about being pregnant but a record made with pregnancy.” Each day and night, finding herself far from home, she asked herself “What am I doing here? How can I connect myself to the world?” The answer gradually revealed itself: “With small gestures: recording my voice, recording birds, a simple melody.”

Best known for its iconic, quite frankly hilarious cover art - featuring the four bandmembers riding three motorcycles, Easy Rider-style, only buck naked - the Flower Travellin' Band's 1970 debut album, Anywhere, unfortunately isn't as original where the actual music is concerned. That's because, with the exception of its minute-long, book-ending solo harmonica workouts, Anywhere was a covers album. And the second of its kind, technically speaking, following 1969's Challenge, which was recorded by the then simply named the Flowers with two different singers tackling Western rock and pop hits of the day by Janis Joplin, Cream, Hendrix, and the Jefferson Airplane…

"Flower Power" is a 2 CD set of epic proportions. CD 1 basically runs as 1 long track which contains some of The Flower Kings' most diverse and powerful pieces ever recorded! Epic track, "Garden Of Dreams" runs 59 mins in length and builds in emotion and intensity until the most beautiful, symphonic climax in unleashed upon the listener. This long track moves so cleverly in atmospheres, moods and emotions that the listener will not be tired throughout at all (a real trick to pull off for such a long track!). "Flower Power" contains lots of real The Flower Kings classic progressive rock moments which will please all prog heads out there in prog land.

Beautifully uplifting and deeply personal, Amy Speace has made the most revealing album of her career with There Used to Be Horses Here. Recorded in Nashville in just four days, the award-winning songwriter pulls directly from her own childhood memories, coming of age in New York City, and losing a parent while learning to become one. In its most powerful moments, the album sets Speace's majestic voice to symphonic arrangements, yet her songwriting remains intimate and emotional. As a fan and friend of the Nashville band The Orphan Brigade, she invited its three members to collaborate as songwriters and co-producers, inspired by their persistent rhythms and sweeping sonic palette. Remembering her vocal sessions, she says simply, "While I was singing over what those guys were playing, it made me feel like I was flying."

The Flower Kings on this double-disc, live CD, featuring six compositions ("Garden of Dreams" is in two parts, making for a total of seven tracks) offer one of the brightest views yet of a band whose obsession with musical exploration and complex harmonic issues never, ever gets in the way of an honest expression of "song," and the human emotions and narratives within it. Led by guitarist and vocalist Roine Stolt, this Swedish septet offers a live outing every bit as adventurous as their studio offerings. Stolt's debt to Yes' Jon Anderson and Steve Hackett is still everywhere evident, but his lyrics are not consciously obtuse, and are drenched in life-affirming scenarios. Musically, the band's reliance on melody and harmony to carry forth their edgier musical explorations is a real blessing; they welcome the listener inside their sound world and make them a part of their sprawling musical narratives…