Shelly Manne & His Men More Swinging Sounds
Shelly Manne & His Men - Here That's Manne: Septet & Quintet Sessions 1951-1958 (2009) 3CD Box Set Music
Posted by Designol at May 16, 2023
Shelly Manne & His Men - Here That's Manne: Septet & Quintet Sessions 1951-1958 (2009) 3CDs
EAC | FLAC | Tracks (Cue&Log) ~ 1.1 Gb | Mp3 (CBR320) ~ 520 Mb | Scans ~ 102 Mb | Time: 03:47:07
West Coast Jazz, Mainstream Jazz, Cool, Bop | Label: Fresh Sound | # FSRCD 2251
EAC | FLAC | Tracks (Cue&Log) ~ 1.1 Gb | Mp3 (CBR320) ~ 520 Mb | Scans ~ 102 Mb | Time: 03:47:07
West Coast Jazz, Mainstream Jazz, Cool, Bop | Label: Fresh Sound | # FSRCD 2251
3-CD Box set, 60-page booklet including comprehensive biography, original liner notes and cover art, rare photos, unseen memorabilia and extensive discography. Shelly Manne (1920-1984) was one of the most important drummers in jazz history. Opening with his first recordings as a leader for Dee Gee Records in 1951 (Chicago) and 1952 (Los Angeles), this collection covers both these septet sessions and the great series of all-star septet and quintet recordings made for Contemporary by Shelly Manne and His Men between 1953 and 1958. Here’s that Manne.
Stan Getz - Award Winner (1957) {Verve Master Edition 543 320-2 rel 2000} Music
Posted by ruskaval at March 23, 2019
Stan Getz - Award Winner (1957) {Verve Master Edition 543 320-2 rel 2000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 234 Mb | MP3 @320 -> 162 Mb
Full Artwork @ 600 dpi (jpg) -> 286 Mb | 5% repair rar
© 1957, 2000 Verve Music / UMG | Verve Master Edition | 543 320-2
Jazz / Cool / West Coast Jazz / Bop / Saxophone
A great little follow-up to the classic West Coast Jazz album recorded by Stan Getz – and like that one, a set to feature some great rhythm accompaniment from the trio of Lou Levy on piano, Stan Levey on drums, and Leroy Vinnegar on bass! The tracks are nice and open – with plenty of room for Stan to roam around – and although you might expect a tightly-arranged kind of sound from the west coast setting, the album's actually surprisingly more relaxed – a fair bit like some of the more open-ended jazz that Shelly Manne started to record on his own at the start of the 60s.