Shigeyoshi Suzuki

When he died, Nicolaus Bruhns was just 31 years old, and only twelve of his vocal works and five organ compositions have survived. On the strength of these, he is nevertheless considered one of the most prominent North German composers of the generation between Buxtehude and Bach. Buxtehude was in fact Bruhns teacher, and thought so highly of him that recommended him for a position in Copenhagen. There he worked as a violin virtuoso and composer until 1689, when he returned to Northern Germany to become organist in the main church of Husum. It was here that most if not all of the extant works were performed.

A new performing edition by Masato Suzuki, based on the autograph by Mozart and taking account of earlier completions by Eybler and Sussmayr. He has composed a new “Amen Fugue” to close the “Sequentia”, based on the sketch discovered in Berlin in 1960.

Bach Collegium Japan and Masaaki Suzuki have sung of the wonders of Christmas a number of times, in Bach’s cantatas and Christmas Oratorio as well as in Handel’s Messiah. Here, instead, we hear the choir a cappella in a selection of classic Christmas carols. Masato Suzuki, son of the ensemble’s founder and director, has selected some of the best-loved songs of Christmas, such as Adeste fideles and Silent Night, as well as less familiar hymns, arranging them especially for these singers. A consummate organist, he also performs a number of Louis-Claude Daquin’s noëls variés – keyboard variations on Christmas songs which became a highly popular genre in 18th-century France.