Shining II Livets Ändhållplats (2001)

Giacomo Facco (4 February 1676 – 16 February 1753) was an Italian Baroque violinist, conductor and composer. One of the most famous Italian composers of his day, he was completely forgotten until 1962, when his work was discovered by composer, conductor, and musicologist Uberto Zanolli.

Potemkine's third and final album is their strongest, and is something of an overlooked classic of late 70s prog. Following Triton the band became a quartet again with Michel Goubin back on keyboards, and there had also been a period of intense gigging including opening for Magma on several occasions. All this made for a much tighter and more confident band than previously, both in terms of writing and playing.
The sound of Nicholas II takes the Zeuhl of Magma's Attahk and adds the jazz fusion of Mahavishnu Orchestra, Brand X and Billy Cobham circa Spectrum. The arrangements are dominated by the interplay of electric piano and guitar, with Charles Goubin turning in some excellent lead guitar work - he may not have been in quite the same league as John Mclaughlin or Alan Holdsworth, but he was no slouch either…

Potemkine's third and final album is their strongest, and is something of an overlooked classic of late 70s prog. Following Triton the band became a quartet again with Michel Goubin back on keyboards, and there had also been a period of intense gigging including opening for Magma on several occasions. All this made for a much tighter and more confident band than previously, both in terms of writing and playing.
The sound of Nicholas II takes the Zeuhl of Magma's Attahk and adds the jazz fusion of Mahavishnu Orchestra, Brand X and Billy Cobham circa Spectrum. The arrangements are dominated by the interplay of electric piano and guitar, with Charles Goubin turning in some excellent lead guitar work - he may not have been in quite the same league as John Mclaughlin or Alan Holdsworth, but he was no slouch either…

Recorded in a church in 1973, this is one of the great lost albums of '70s free jazz. The label "free," though, is something of a misnomer. There's structure here, just not a classical, rigid, "now it's your turn" thing that binds so much of jazz. Here the structure is supplied by mutual respect and the kind of telepathy that only comes from long sessions and careful study of the rules before you break them. Sure, this stuff is loose, but it stomps, it sways, and, good Lord, it swings. Just the thing to get us into church. As an added note, Charles "Bobo" Shaw is, as always, a revelation.

One of the most successful pop/classical fusion projects, Gregorian mixes well-known pop and rock songs with Gregorian chants. Overseen by producer Frank Peterson, co-founder of Michael Cretu's Enigma outfit, Gregorian's first album, Masters of Chant, released in 1999 (an early 1991 Peterson album released under the name Gregorian isn't counted among the group's official releases, but already employs the same aesthetic), became a smash hit throughout Europe, entering the Top Ten in nine different countries. The following albums continued in the same vein, covering songs by Peter Gabriel, Lenny Kravitz, Coldplay, Björk, Queen, Tears for Fears, and others.