Shooting The Scene

Demon Music kick off an Ocean Colour Scene reissue campaign with Yesterday Today 1992-2018, a massive 15CD box set. The large format package Includes all 10 of their studio albums. They are: Ocean Colour Scene (1992), Moseley Shoals (1996), Marchin’ Already (1997), One For The Modern (1999) , Mechanical Wonder (2001), North Atlantic Drift (2003), A Hyperactive Workout For The Flying Squad (2005), On The Leyline (2007), Saturday (2010), and Painting (2013). Additionally, there’s five bonus discs featuring a very large selection of B-sides and rarities including the Free inspired ‘So Sad’ and ‘Men Of Such Opinion’, ‘Huckleberry Grove’ featuring the Jamaican ska legend Rico Rodriguez, and the more sedate ballads ‘Robin Hood’, ‘I Need A Love Song’ and ‘Mrs Jones’ and a cover of ‘Day Tripper’, featuring Noel and Liam Gallagher. The package offers 230 tracks in total.

The band that eventually became the Children began life as a pair of competing garage combos on the often-overlooked San Antonio rock circuit in 1965. The Stoics came together in the spring of that year. Guitarists William Ash and Rufus Quillian were upper-middle-class kids while singer Al Acosta, drummer Sam Allen, and bass player Michel Marechal all came from the city's predominantly Hispanic northeast side…

Following the release of his solo debut, Joy of a Toy, Kevin Ayers created the Whole World to take the album on the road. In retrospect, the band was a kind of Brit supergroup, comprised of young Mike Oldfield (bass/guitar), Lol Coxhill (sax), Mick Fincher (drums, occasionally subbed by Robert Wyatt), and David Bedford (keys/arrangements). Following the tour, the band found itself in the studio, and in October 1970 Ayers introduced the world to the Whole World with the release of his follow-up, Shooting at the Moon. A snapshot of the era, the album is saturated with original ideas, experimentation, and lunacy, all powered by the bottled grape. It is this very "headiness" that propels and simultaneously hinders the work, resulting in a project overflowing with potential, much of which remained underdeveloped…

Following the release of his solo debut, Joy of a Toy, Kevin Ayers created the Whole World to take the album on the road. In retrospect, the band was a kind of Brit supergroup, comprised of young Mike Oldfield (bass/guitar), Lol Coxhill (sax), Mick Fincher (drums, occasionally subbed by Robert Wyatt), and David Bedford (keys/arrangements). Following the tour, the band found itself in the studio, and in October 1970 Ayers introduced the world to the Whole World with the release of his follow-up, Shooting at the Moon. A snapshot of the era, the album is saturated with original ideas, experimentation, and lunacy, all powered by the bottled grape. It is this very "headiness" that propels and simultaneously hinders the work, resulting in a project overflowing with potential, much of which remained underdeveloped…