Shunzoh Ohno Something's Coming (1978)

Shunzoh Ohno feat. Masabumi Kikuchi - Something's Coming (1975) {2015 DSD Japan East Wind Masters Collection 1000 Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 229 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 600 dpi (png) -> 180 Mb | 5% repair rar | DSD Mastering
© 1975, 2015 East Wind Music / Universal Japan | UCCJ-9141
Jazz / Jazz Funk / Fusion / Trumpet

Reissue with the latest DSD remastering. An aggressive bit of funky fusion – a set that matches the talents of Japanese trumpeter Shunzoh Ohno with some hip American grooves from Reggie Lucas on guitar, Cedric Lawson on keyboards, Don Pate on bass, and Roy Haynes on drums! The sound is very full-on – in a mid 70s Miles Davis electric mode, but with perhaps a bit more of a funk touch on the best cuts – almost a refinement of the groove that Miles hit in Japan, fusing the energy into some great tunes that really pack a sharp punch! Haynes' drums are surprisingly heavy at points – and titles include "You Dig That?", "But It's Not So", and "I Remember That It Happened".

The In-Crowd - His Majesty Is Coming (1978) {2CD Set, Remastered & Expanded, Trojan Records TJDDD257 rel 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 990 Mb | MP3 @320 -> 347 Mb
Full Artwork @ 300 dpi (jpg) -> 66 Mb | 5% repair rar
© 1978, 2005 Creole Records / Trojan Records | TJDDD257
Reggae / Roots Reggae / Rocksteady

Originally issued by Creole Records in 1978; the In Crowd's best-selling 'His Majesty Is Coming' album finally receives its due respect with this long-overdue reissue. Augmented by a number of the group's non-album recordings from the period; plus Phil Callender's most popular late seventies solo material; this is in essence a 'best of'; which is truly an essential collection for any self-respecting fan of Roots Reggae.

Teaming together Dizzy Gillespie and Roy Eldridge should result in some classic music, but by 1975, Eldridge (although still a fierce competitor) was past his prime and Gillespie was starting to fade. The material performed for this CD reissue is just not all that inspiring - a few overly played standards and blues. Despite some good efforts by Gillespie and Eldridge, pianist Oscar Peterson easily emerges as the most impressive soloist; better to acquire the magnificent collaborations of the 1950s instead.

If you played in a hard rock band during the '70s, what were you likely to be doing circa 1978? Why, recording a live album, of course. Preferably a double vinyl set, and in Japan to boot. The Scorpions were no exception, and in fact, their Tokyo Tapes were captured only days after Cheap Trick's At Budokan in April 1978…

On the Who's final album with Keith Moon, their trademark honest power started to get diluted by fatigue and a sense that the group's collective vision was beginning to fade. As instrumentalists, their skills were intact. More problematic was the erratic quality of the material, which seemed torn between blustery attempts at contemporary relevance ("Sister Disco," "New Song," "Music Must Change") and bittersweet insecurity ("Love Is Coming Down"). Most problematic of all were the arrangements, heavy on the symphonic synthesizers and strings, which make the record sound cluttered and overanxious. Roger Daltrey's operatic tough-guy braggadocio in particular was beginning to sound annoying on several cuts. Yet Pete Townshend's better tunes - "Music Must Change," "Love Is Coming Down," and the anthemic title track - continued to explore the contradictions of aging rockers in interesting, effective ways…

On the Who's final album with Keith Moon, their trademark honest power started to get diluted by fatigue and a sense that the group's collective vision was beginning to fade. As instrumentalists, their skills were intact. More problematic was the erratic quality of the material, which seemed torn between blustery attempts at contemporary relevance ("Sister Disco," "New Song," "Music Must Change") and bittersweet insecurity ("Love Is Coming Down"). Most problematic of all were the arrangements, heavy on the symphonic synthesizers and strings, which make the record sound cluttered and overanxious. Roger Daltrey's operatic tough-guy braggadocio in particular was beginning to sound annoying on several cuts…

Eri Ohno is a Japanese pop, funk and jazz singer.
Eri Ohno recorded her debut album Feeling Your Love and the single "Trad Man" (Better Days) in 1979, followed by several albums on the Denon and Nippon Columbia record labels. She recorded the album Eri My Dear (1982) with Toshiyuki Daitoku (keyboards), Cecil McBee (bass) and Billy Hart (drums). With Hank Jones, Eddie Gomez and Jimmy Cobb, an album with songs by Cole Porter like "I Get a Kick Out of You", "Love for Sale" or "Night and Day" was released in Tokyo in 1984.

Born in Forlì (Italy) in 1951, Riccardo Zappa is widely recognized as the greatest Italian acoustic guitarist. For five consecutive years he was voted the best in the poll promoted by the famous monthly magazine "Guitar Club". After that, he was declared to be no longer eligible for nomination. His music is in fact quite unique in the whole Italian prog scene; not can many other comparisons be found outside Italy, except perhaps Mike Oldfield, for his long, acoustic-based instrumental compositions.
His unmistakable trademark is the "Ovation" guitar, an instrument with a striking nasal sound, very suited to being handled with special effects. His first work, "Auhlela & Zappa" was recorded in 1974 as a duo, with lyrics and vocals by Klaus Auhlela and music by Riccardo Zappa himself…

In 2008, the idea of a rock band doing their proverbial thing in Egypt holds far less cache than it did 30 years prior. However, it was unquestionably a novel notion when the Grateful Dead sought to begin diplomatic talks between the U.S. Government and Egyptian officials to allow for the band to bring their "long, strange trip" to Cairo's Gizah Sound & Light Theater in mid-September of 1978. Considering the precarious political state of the world at the time, it is a minor miracle that these shows came off at all. Rocking the Cradle: Egypt 1978 (2008) gathers two-and-a-half hours of highlights from the September 15 and 16, 1978 performances – with the vast majority coming from the latter date. While they played on the 13th (as a sort of sound check) and the 14th as well, there is no music from either date located here…