Sibelius Msc

There are two points concerning the piano music of Sibelius that I feel need to be kept in mind. One is that the piano was not a natural instrument for Sibelius to communicate his musical thoughts. The other is that his ability to write appealing music extended to his piano compositions. Merging the two points results in attractive music that does not reflect the masterful orchestral works and symphonies that Sibelius composed. Sibelius wrote most of his piano music in response to financial requirements, while his strongest concentration was saved for his large-scale works. The variable quality of the piano music is apparent in any recorded program, ranging from disjointed and rambling pieces to music of dramatic substance and pieces that delight and sparkle. However, you will not find any hidden masterpieces, as the works do not plumb deep emotional issues or offer the structural coherence found in the works of outstanding composers for the piano.

The Finnish maestro John Storgårds, Principal Guest Conductor of the BBC Philharmonic, presents his first recording on Chandos, a complete symphonic cycle of his nation’s greatest musical export, Jean Sibelius. The triumphant premieres of Symphonies Nos. 1 and 2, with their big tunes and great romantic sweep, established the international reputation of Sibelius as a symphonist, some audiences even considering him Beethoven’s natural successor. The symphonies that followed chart Sibelius’s development as one of the most individual composers of the early twentieth century. Each symphony has its unique approach, whether it be the classicism of the Third, the brooding modernism of the Fourth, or the icy stillness of the Sixth, so evocative of the Finnish landscape.