"The first thing to say about this splendid new CD from MDG is that the sound quality is quite simply stunning. My usual prerequisite for any recording is to feel that I am in the same room as the performers. This present disc makes me think I am sitting amongst the trio. Every detail, every nuance, of these three intricate works is crystal clear. That is before I consider the stunning playing by the Ensemble Blumina. (…) This is a recording to treasure." ~musicweb-international
"The first thing to say about this splendid new CD from MDG is that the sound quality is quite simply stunning. My usual prerequisite for any recording is to feel that I am in the same room as the performers. This present disc makes me think I am sitting amongst the trio. Every detail, every nuance, of these three intricate works is crystal clear. That is before I consider the stunning playing by the Ensemble Blumina. (…) This is a recording to treasure." ~musicweb-international
Hindemith's writing combines the great contrapuntal sense of Bach with a mastery of modern harmony. These three pieces, with very unusual instrumental combinations, showcase some of his best writing with a fantastic performance from a world class ensemble.
…Ensemble Villa Musica was founded in 1990 when a group of principal players from several of Germany's major orchestras assembled for master classes in Mainz under the state-sponsored Villa Musica foundation. The players decided to form the group with no limitations in repertory, but with a focus on neglected masterworks of the past. Most of the members retained their posts in orchestras and/or on the faculties of universities or music schools. The ensemble's leader since its founding has been clarinetist Ulf Rodenhäuser…
…Ensemble Villa Musica was founded in 1990 when a group of principal players from several of Germany's major orchestras assembled for master classes in Mainz under the state-sponsored Villa Musica foundation. The players decided to form the group with no limitations in repertory, but with a focus on neglected masterworks of the past. Most of the members retained their posts in orchestras and/or on the faculties of universities or music schools. The ensemble's leader since its founding has been clarinetist Ulf Rodenhäuser…
Born in 1994, bassoonist Mathis Stier not only won second prize at the 2019 ARD Competition, but was also awarded the coveted Audience Prize. Mathis Stier has a natural affinity with the music of the 18th century and the three works which he has chosen for his ALPHA debut demonstrate its principal characteristics: Baroque, Empfindsamkeit / Sturm und Drang and Viennese Classicism. The composers J.S. Bach, Johann Wilhelm Hertel and W.A. Mozart represent three generations: father, son and grandson. The conventions of each previous generation are questioned, musical boundaries are broken down and new paths are taken, until the generational revolt finds its way back to more conventional channels. This is how Mathis Stier describes the phenomenon: "Musically, the Mozart Concerto represents the classical bassoon and is probably the best-known work in the original literature. Hertel's concerto, on the other hand, is unusual and fairly unknown even among bassoonists. It deserves to be more widely known, however, because it is an exceedingly remarkable and idiosyncratic piece.
In 2017, the Ensemble arabesques began realising its idea of devoting albums to composers with a special predilection for woodwind instruments. The series was launched with the highly successful CD Gustav Holst Kammermusik. This was followed in 2019 by works of Francis Poulenc. For the third album, Jacques Ibert was an obvious choice. As with Holst, the particular charm of Ibert's works derives from the various combinations of woodwind and brass instruments, strings and harp that he uses.