For a kinder, gentler, more tuneful, and even a more danceable Stravinsky in his High neo-Classical period, try the wind chamber music Czech-French-American composer Bohuslav Martinu wrote in his High French period. Three of the works on this disc by the Ensemble Villa Musica – Le Revue de Cuisine from 1927, the Sextet from 1929, and the Quartre madrigaux from 1937 – represent Martinu at his Parisian best: archly lyrical, angularly rhythmic, and brilliantly colorful. For a lighter, deeper, more conservative, and even a more melancholy Stravinsky in his postwar late neo-Classical period, try the last work on this disc,
The Vivaldi recordings by Adrian Chandler and his British period instrument ensemble La Serenissima, named after the nickname of the Venetian Republic and specializing in its music, are breaking new ground. Give this one a try if you haven't heard the group before: it's wonderful. Chandler focuses on double concertos, which Vivaldi produced in profusion for his players as the Osepale della Pietà, but which have been largely neglected on recordings.
The Swiss-Franco-American virtuoso, Celeste-Marie Roy, elevates the sonorous splendour of the bassoon to vibrant new heights, dispelling many a preconception about her instrument. Roy's flexible tone, technical finesse and striking interpretation ensure this solo programme in high-resolution 3D reproduction is a dynamic listening experience!
This generous double disc survey of Saint-Saens' chamber music offers the listener over two hours of unalloyed pleasure and contains a judicious selection of works for various ensembles that range across his career - indeed the three sonatas for bassoon, clarinet and oboe respectively are very late pieces and were part of an intended series of such works for each member of the standard woodwind family, a project only curtailed by the composer's death in 1921.
Graupner is best known as a composer of cantatas but this CD highlights his compositions in other genres. Ensemble il capriccio plays on replicas of historical instruments and here presents four bassoon concertos, a double concerto for bassoon and chalumeau, as well as Graupner’s only violin concerto in what are mostly world premeiere recordings.
Johann Georg Lickl, also Ligkl, Hans-Georg Lickl, Hungarian: Lickl György (11 April 1769 – 12 May 1843) was an Austrian composer, organist, Kapellmeister in the main church of Pécs, and piano teacher. He wrote operas, one wind quintet, three string quartets, and served as a Kapellmeister at several churches. From 1807 until his death he was choirmaster at what is now Pécs. A large portion of his output is sacred music, including masses and requiems…